| 摘要: | 吳語亭（1897-1997年），初名玉亭，福建延陵鼇峯坊人。出生地與「鼇峯書院」 為鄰，書院後花園的「鑒亭」懸有乾隆御書「瀾清學海」匾額，映照著吳語亭「五世科甲」 的世家背景，富饒她行吟儒家傳統美德，橫越滿清帝制推瀾臺灣生根發展的人生燦爛旅程。她的一生著有《今國風》、《語亭吟草》、《越縵堂國事日記》、《吳語亭日記》、《吳語亭畫集》等，都是在臺期間所出版，無有所謂「個人的身份認同」（indivudual identity）問題，專精於古典詩的「角色實現」，而透過生活的自我省思，將歷史從單一的價值觀中釋放出來，彈射出愛家、愛鄉、愛國的志向理念，功不可沒。因此本文以古典詩的「角色實現」議題作為探討，試圖站在純粹詩學的立場尋求其「家世傳統」、「愛情依附」、「政治環境」、「旅遊見聞」所開拓的詩作美學呈現，推及臺灣承續臺灣傳統古典詩的文學藝術貢獻。 吳語亭才華橫溢，師承溥心畬「古體宗漢魏，近體擅盛唐」 的沉鬱蒼涼況味，嶄新開發詩歌文學風采。不作殖民論述、也沒有民族文化扭曲，更不以爭強詩學流派為榮，純粹是以「只述不評」，自然地承繼中國固有的詩歌傳統，綻放多元的詩歌特質。因而本論文無意將吳語亭的詩作風格作詩派歸流而另立名號，故在第一章緒論中先行架構本文命題之研究動機、範圍、目的、方法與成果理論觀點；第二章則論述女詩家的作品成長歷程；在第三章是從台灣移民文學的角度探析抗戰離亂詩、懷鄉真情詩、題畫詩與詩鐘等多樣趣詩歌面貌的深刻內涵；第四章著重傳統詩學理論，在「流體詩學」的思考下嘗試貫穿女詩人心靈感知所傳達的多風采詩境特色。第五章則比對前人的研究成果，特意說明所受當代溥心畬、李又寧、梁寒操、劉太希等眾多詩家的推崇讚揚，見證其詩作美學的傳承價值與在臺古典漢詩交融上的藝術貢獻，並於結論中總結吳語亭的古典詩適足為上銜晚明沈光文，下啟後續古典詩人，長存於臺灣文學發展洪流，成為臺灣古典文學史史頁的典範人物。
Wu Yuting (1897-1997), initially named Yuting, yanling AO scales new heights corner people in Fujian province. Born with ＂turtle scales new heights College＂ neighbor, College Garden ＂Pavilion＂ hanging Qianlong emperor's book ＂LAN-Qing Xuehai＂ horizontal inscribed board, shine ＂v imperial examination＂ family background, Rich, her poems traditional Confucian virtues, cross the Manchu imperial mission pushed Taiwan root brilliant journey of life. Her life work with ' This state of the wind ',and ' The Pavilion song of the grass ',' Yeimantan, church politics of the diaries ',' The Wu Yuting diaries ',' The Wu Yuting painted collection ' etc. Are in Taiwan during the period of publication, No ＂personal identity＂ (indivudual identity) minor issue, Specialize in classical poem ＂role＂ Through a life of self reflection, Released history from a single set of values, Ejection ambition idea of family, love, patriotism, Credit should go. In this article with the classical poem ＂role＂ discussion on the issue as, Attempting to purely poetic point of view to seek their ＂family tradition＂, ＂love＂, ＂political＂, ＂tourist information＂ aesthetics of the pioneering poems, extended Taiwan continuity Taiwan traditional literary and artistic contribution of classical poetry. Wu Yuting brilliant, The succession of teachings from master Pu Hsin-yu poem ＂old style in Han, Wei, near good Tang＂ gloomy melancholy poetry to his disciples. Without colonial discourse, No distortions of national culture, much less proud to live with poetic genre is purely ＂for not only comments on＂, naturally the traditional inheritance of Chinese poetry, bloom a plurality of qualities of poetry. This paper thus no intention of poetry style in Wu Yuting poem flow separate names. In chapter I, introductory study on the schema of this proposition in theory of motivation, scope, objectives, methodology and results; Second terms growth course addressing the work of women poets; In chapter III are from Taiwan immigrants liluan literary analysis of the war poems, poems of nostalgic feelings, poetry and painting clock faces profound connotation of diverse interests such as poetry; The fourth chapter focuses on traditional theory of poetics, ＂The poetics of fluids＂ female poet try to run through the heart of thinking sense conveyed by poetry style features. Fifth terms than previous research results. Specifically describe the subject when Pu Hsin-yu Li Yo-ning and Liang Han-chao, Liu Taixi and many other respected poets praise Witnessing its heritage value and aesthetics of poetry in classical Chinese poetry on the blending of artistic contribution, Witnessing its heritage value and aesthetics of poetry in classical Chinese poetry on the blending of artistic contribution, Summary of conclusions, Wu Yuting-and well-enough to fill the title on classical poetry in late Ming Shen Guangwen, under subsequent classical poets, live in Taiwan literature development torrent, Taiwan classical literature page of the history of role models. |
