南華大學機構典藏系統:Item 987654321/17522
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    题名: 電影中的數位哲學隱喻－以《駭客任務》三部曲為例
    其它题名: Digital Philosophy exhibited in Film: The Matrix Trilogy
    作者: 洪立仁
    Hung, Li-jen
    貢獻者: 建築與景觀學系環境藝術碩士班
    陳正哲;歐崇敬
    Cheng-che Chen;Chung-ching Ou
    关键词: 母體;數位;駭客;隱喻
    Matrix;Hacker;Digital;Metaphors
    日期: 2013
    上传时间: 2014-12-31 16:28:30 (UTC+8)
    摘要: 　　本論文之研究目的在於對電影《駭客任務》三部曲的內涵所涉及的東西方哲學有精準的解析，研究範圍以電影《駭客任務》三部曲合計將近約七小時的影像以及約三萬餘字的劇本對白作為本論文的文本，期能將電影中論述與涉及數位世界的象徵和哲學內涵加以解析。研究獲得的成果是終於將《駭客任務》所涵蓋到的數位哲學全部展開並且精準解讀的嘗試，從柏拉圖、尼采、德勒茲、柏格森、聖奧古斯丁、李歐塔等哲學家觀點切入，透過影片對白與劇情場景等的觀察，藉由比對諸位哲學家曾經提出與之相關論點之方式，探討《駭客任務》三部曲片中的各種數位和哲學相關隱喻，並挖掘其場景、文字、符號、故事情節背後所隱含的各種哲學、神話、宗教、數位等文化寓意。希望藉由本論文探討電影中的隱喻元素，使讀者能夠瞭解在影片中無所不在的後現代文化現象。
    　　The purpose of this thesis is to analyze the movie trilogy ＂The Matrix＂ which includes contents of both Oriental and Western philosophy. As the object and scope for this thesis, The Matrix trilogy contains a total time in nearly seven hours of video and about thirty thousand words in dialogues. The comparative analysis conducted on the film is to demonstrate how philosophical connotations are realized in the digital world. The research conducted for this thesis was supported by the results to show a successful attempt to expand all digital philosophy covered in the movie ＂The Matrix＂. By studying the movie dialogue and the story scenes it was clear to see philosophers such as Nietzsche, Deleuze, Bergson, St. Augustine, Lyotard were used as primary reference. Analyzing the arguments set forward by philosophers to explore The Matrix trilogy for the film's various digital and philosophical metaphors. And it was found that the implied meaning of the scene, text, symbol throughout the movie enticed an audience to create a post-modern cultural phenomenon like “The Matrix”.
    显示于类别:[建築與景觀學系] 博碩士論文

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