| 摘要: | 宗教向度植根於台灣現代詩壇深處，卻未見評論與研究系統如實的開花結果，本文將聚焦於其中代表詩人而觀，例如周夢蝶一向被詩壇譽為詩僧，蕭蕭詩作具有簡約與禪意的特色，敻虹後期立志佛教現代詩創作，許悔之透過佛陀書寫找到生命的意義。四位詩人在宗教主題耕耘已久，意象使用嫺熟，自成一家之言。 本論文擬以「宗教思維的展現」、「宗教原型的意象」、「宗教神祇的塑造」三大議題，彰顯此一向度的研究成果。並且探討如何從「哲學思維」、「禪學思維」與「神話思維」的分析，具體分析詩人的寫作模式；進而追溯原型與意象的召喚，轉化為宗教詩學的隱喻力量。 再者將從神祇的確立與書寫，體現詩與宗教情感的精神座標，探索詩人在時間、空間、數字的主題與宗教向度相互關連的部分，期待證成宗教意象作為詩歌意象的人文縱深，勢必寬闊了現代詩學的意境與版圖。
The religious dimension of modern poetry deeply roots in Taiwan, but the comments and related research are rare. In this study, the researcher makes discussion with regard to some representative poets, such as Chou, Meng-tieh, who has always been known as Buddhist poet in poetry circle; Hsiao-hsiao, whose poems are characterized by Concision and Zen; Shiong-hong, who determined to write modern poetry of Buddhism in his later period and Hsu, hui-chih, who find the meaning of life through Buddhistic writing. Four poets have devoted to religious themes for a long time; they use image skillfully and each forms their own views. In this study, researcher will use three topics: “the display of religious ideas”, “ the image of religious archetype”, and “the construction of deities”, showing research results of the religious dimension while analyzing specifically the poets’ writing modes from the investigation of “Philosophical thinking”, “Mythological thinking” and “Zen thoughts,” then traces further the metaphorical force, which transforms the call of archetype and image into religion. Moreover, researcher embodies the spirit coordinates of poetry and religious emotion through the establishment and writing of deities, and explores the interrelationship between religious dimension and the themes of “time”, “space” and “figure” in the sight of poets. In expectation of an in-depth religious image through humane poetic image, this definitely expands the artistic conception and domain of modern poetry. |
