繪畫藝術之自由問題─以中國美學思想為中軸之研究

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Title:	繪畫藝術之自由問題─以中國美學思想為中軸之研究
Other Titles:	The Problems of Freedom in the Arts of Painting--A Research on the Thinkings of Aesthetics in China as a Core
Authors:	凃依伶 Tu, Yi-ling
Contributors:	哲學與生命教育學系陳士誠 Shih-cheng Jhen
Keywords:	坐忘;徐復觀;宗白華;遊;心齋 Zuowang;Xinzhai;wander;Hsu Fu-kuan;Zong Baihua
Date:	2012
Issue Date:	2015-01-07 15:58:04 (UTC+8)
Abstract:	本文研究中國山水畫作與古代哲學之關係，尤以道家的美學思想為主，其代表則為莊子。道家最重要的觀念是自由問題，要人不要依待而生，也就是擺脫約束任性自然，因而本論文在這方面的處理較多：自由問題在莊學中是“遊”，如旗在風中自由漂蕩，遊伴隨而來的是無用與和，在主體條維方面之心齋與坐忘亦為本文的分析重點。本文藉由徐復觀和宗白華對中國美學之思想探討為切入點，再佐以歷代著名山水畫作品作為研究素材，探討莊學與山水畫中表現內涵與風格之間的關係。宗白華對中國美學思想之推廣有莫大貢獻，而徐復觀則是第一個系統地以道家思想解釋中國山水畫之哲學思想來源的第一人。之所在哲學論文中插入畫作，目的是以實例說明其中所含涵的思想，在論說方面不致於空泛。　　In this paper I would like to study the relationship between landscape praintings in china and its ancient philosophy, especially aesthetic thought of Taoism, its representation is Zhuangze. The problem of freedom for Taoism is the most important idea, that is, people live without dependence, namely free from all constraints and according to his nature. The problem of freedom of Zhuangze is wander, such as a flag in air. It drifts without purpose, but with uselessness and harmony. Freedom in subject is Xinzhai(心齋) and Zuowang(坐忘). The base theory which helps us to analyse the relationship between Zhuangze and landscape paintings is the thought of Hsu Fu-kuan and Zong Baihua, and in this paper I would take some famous works in China in order to show such relation. Zong Baihua has constributed for aesthetical thought in the history of landscape painting in china, and Hsu Fu-kuan is the first scholar who makes a systematicalresearch on the relation. The reason why I use works in my paper which belongs to the department of philosophy is that I would like to make my paper not in abstract but in a concreted.
Appears in Collections:	[Department of Life-and-Death Studies] Disserations and Theses(M. A. Program in Philosophy and Life Education)

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