| 摘要: | 筆者企圖以印象畫派（Impressionism）自然生動的筆觸、構圖及畫面的處理，呈現雲林地區人文風情之美，藉由實際創作技巧的運用與理論的參考，經歷兩年努力的學習與研究，將內心的思維以及對大自然的感動，借由顏料及畫筆，透過個人所具備的繪畫功力，使之轉化為畫面的構圖與色彩，表現出動人心弦的藝術作品，正是筆者所要研究的動機與目的。自知藝術創作是一條艱辛漫長的路，但上天賦予人的天性，驅使人們不斷地去從事他認為有意義的偉大志業。試繪出創作作品對雲林的藝術文化推動，盡一點棉薄之力，期盼為雲林景觀呈現另一藝術風貌，與社會大眾分享雲林之美。 與其他縣市相比較之下雲林縣顯得較為落後，然而，風水輪流轉！開發較緩慢的雲林反而保住了台灣最可貴的農業風貌；少了都市開發卻保存了原有的自然之美，最近，我常聽到臺北的友人讚嘆雲林之美，他們說：稻草飄香的感覺，真令人心曠神怡，不僅能呼吸到新鮮的空氣、且能享受農村的悠閒生活及雲林人特有的熱情款待。這就是雲林得天獨厚的條件，如今，雲林已找到自我的定位。 雲林縣為農業首都，境內有很多珍貴的文化資產及美麗的山川景色，豐富的農產品及多元的人文景觀與文化意涵，值得大家去探索、尋訪 。 第一章為緒論，主要說明研究動機與目的：研究動機旨在釐清創作偏向來自內心感受，而不是概念思考之創作，研究目的則以研究動機為基礎，進一步闡釋筆者欲透過創作，與自然產生共鳴的內在訴求。第二章為創作學理基礎。說明筆者源自道家美學觀點啟發，西方印象派之創作發想，論述中西藝術觀點予以探討。第三章則是創作理念與實踐：陳述創作理念與觀看視點的心理情感；創作實踐方面則是創作內容的選擇、創作形式的探討及媒材技法的運用。而第四章的作品解析，則是對作品做出說明。其間自涉及主題之內涵、形式以及技法，尾章結論。除為論述之總結外，並提及筆者個人創作過程的省思、及未來再創作方向的訂定。
With natural and colorful Impressionism design, construct, and process, I attempt to present Yunlin's beauty of humanity in my works. Based on practices and theories, through the linear and color, I tried to carry out many touching works to convey my thoughts and inspirations of the nature in the two-year research and creation. I understands that creation is an hardship. However, in my belief, God gives everyone talent to make life meaningful. I hope my works will promote art activities in Yunlin, and portray her scenes in another way, further sharing her beauty with the public. Compared with other counties, Yunlin seems to be late developed and less urbanized. However, she preserves the original nature and precious agricultural features in Taiwan. Recently, my friends living in Taipei tell me that they adore Yunlin's beauty. In Yunlin, straw's fragrance makes them relaxed, the air breathed so fresh, life in farmhouse is leisure, and the locales are always warmhearted. This is Yunlin, a distinct county. Yunlin county is regarded as the agricultural capital in Taiwan, offering people a great opportunity to appreciate her valuable cultural properties, marvelous landscapes, bountiful produces, and multiple humanities. This study aimed to address that creations are inspired by emotions rather than concepts. Further, base on this, the research investigated how does nature and immanence interact with each other in creations. In literature reviews, by examining the inspiration of Taoism aesthetic and the creation of Impressionism, I intended to discuss the oriental and the occidental perspectives on art. This study included concepts and practices applied to the works. It examined concepts and emotions developed through the perspectives. On the other hand, contents, styles, and skills adopted in the practices were explored in the study. The analyses described the application of topics, styles, and techniques in the works. In sum, the study reviewed my creation experience and offered implications for future works. |
