| 摘要: | 本文藉探討唐．褚遂良《雁塔聖教序》而進階其相關「書法美學之研究」的層次。包括《雁塔聖教序》的古今論述的引述佐證、書法美學的演繹闡述，也認識書法美學對東方、西方的洗禮，更關心書法藝術的傳承、書寫藝術的教育紮根。 首先對褚遂良的書學淵源及其在中國書史的地位、評價先作文獻認知。並整理自唐宋以來書家文人對褚遂良書法藝術之集評，奠定初唐三大家之美名因素為何？因而更敬慕褚遂良的「人品」與「書品」所賦予人的存在價值及生命意涵，其藝術成就包括：一、文化上的承先啟後者；人文合一的智慧境界，二 、褚遂良自身人格的徹底藝術化；人格的神聖和美感的永恆。 再次以演繹、紥根的方法整理褚遂良之《雁塔聖教序》以深入了解此碑帖之美，《雁塔聖教序》的結字與布局之書刻藝術。針對雁塔聖教序基本點畫筆法分析與褚體風格的遞變，涵蓋褚遂良的書法與隋唐宗教的境地氛圍、褚體風格的遞變與政治地位的脈絡關係、與個人品格的本位價值。印證他是名符其實「唐一代之教化主」優美傳統的繼承與勇敢開創的英雄。 且分析相關褚遂良《雁塔聖教序》諸出版品的特色與效能，《雁塔聖教序》的美學意涵整理歸納並試探褚遂良對後代書法界的影響、書法美學對後世書法之影響；對後代書家技法的啟迪和效倣者之介紹及國外流佈之情況，研究發現《雁塔聖教序》書法美學之整體造詣是一種歷久彌新的探索，對後代書家技法的啟迪，及對晚唐之後書家和對國內外書家的影響。褚遂良在日本政治與書道學術所造成的影響、書法美學在各國的發展面向。本文闡述《雁塔聖教序》的釋文意涵和褚遂良書之美、萬文韶刻之功，深刻體會他們以生命體踐的藝術。 褚遂良「書品即人品」之人格美及褚遂良對書法教育的貢獻，我用不同的觀看方式來分析欣賞《雁塔聖教序》之靈動。故期待中國傳統書寫的文化精神藉由書法美學與當代藝術文化連結，將書法美學之探究與現代書法藝術接軌。
This thesis aims at discussing Tong Dynasty．Chu Sui Liang 《Wild goose Tower Saint Teaches Foreword》and goes advanced on its related field upon the“research on the aesthetics of Chinese Writing .” It also includes the references from long time before till nowadays toward 《Wild goose Tower Saint Teaches Foreword》 and narration to the aesthetics of Chinese Writing. Besides, it also helps us understand the beauty of Chinese Writing which effects the eastern and western cultures. By this thesis, we understand how to pay much more care the inheritance and the education on Writing art. At first, we try to discuss the learning background of Chu Sui Liang and his important role in Chinese Writing history and the evaluation toward him. Also, we try to collect all the evaluations toward Chu Sui Liang upon his Chinese Writing art from Tong Song Dynasties. And, in this thesis, we try to find the reason for his well-known fame to be one of three major arists in the beginning of Tong Dynasty. Then, we could follow what Chu Sui Liang has achieved through his “personal character” and “Chinese Writing style”which endow the human being’s existence value and meaning of lives. After that, we could pay our respect from our deep mind toward him. The achievements of Chu Sui Liang on art include two points, first, the inheritance and initiation of culture and the united wisdom from well-breed teaching second, the personal art style of Chu Sui Liang and his holy character with the eternal beauty. Furthermore, in this thesis, we also try to adopt the basic but logical way to get together the 《Wild goose Tower Saint Teaches Foreword》of Chu Sui Liang. By the ways mentioned above, we could make a clear understanding upon the beauty of a rubbing from a stone inscription, such as the knot word and the arrangement of the art, book carving toward《Wild goose Tower Saint Teaches Foreword》. Following the analysis upon basic way, point draw and the changing style of Chu Sui Liang in the Wild goose Tower Saint Teaches Foreword, we could clearly find the Chinese Writing of Chu Sui Liang and the field atmosphere of religion in both the Sui and Tong dynasties. Besides, we could find the changing style of Chu Sui Liang and his relationship with the government policy, thus, we finally understand the personal value of his character. After that, we could make sure Chu Sui Liang is the very person to be “the instructed leader of Tong Dynasty”, inherited with the elegant tradition and the spirit of brave creation. In this thesis, I try to analyze the various traits and effects upon the published works of Chu Sui Liang’s 《Wild goose Tower Saint Teaches Foreword》. By the way, I also try to discuss the aesthetic meaning in 《Wild goose Tower Saint Teaches Foreword》and how much influence has been created by Chu Sui Liang, the latter generations on Chinese Writing and the relationship between the aesthetics of Chinese Writing and the latter dynasties. Following the influences of initiation upon the latter writer’s skill, the imitators’introduction, and even the spreading condition, we find that the perfect achievement of《Wild goose Tower Saint Teaches Foreword》,the Chinese Writing, is also a far reaching exploration. Finally, we learn its influence towards the writers in the late Tong Dynasty and all the countries including China and other foreign countries. In this thesis, I also mention that the Chu Sui Liang’s influence created on Japan’s politics and Writing Art. Besides, I also discuss the development of Chinese Writing in other countries. By narrating and defining the meaning of《Wild goose Tower Saint Teaches Foreword》, I sincerely find the beauty of Chu Sui Liang’s Writing and his marvelous writing on thousands of his words. At last, I do understand all the great artists who experience their lives dearly through their works. In this thesis, I also borrow the points which are Chu Sui Liang’s style of “Writing style is same to his personality”, the beauty upon his personality and his contribution towards Chinese Writing education. By the points above, I also try to suggest using a different view to appreciate the vivid work of Chu Sui Liang’s《Wild goose Tower Saint Teaches Foreword》. In the end, I hope the traditional spirit of Chinese writing could be connected with modern arts by way of writing aesthetics, and make them have a nice connection. |
