| 摘要: | 綜觀龍的演變發展史，「龍」幾乎等同於中國文化中的象徵性，也是中華民族的精神象徵。它被賦予的神力，對於每個中華民族的子孫來說，是一種意念，更是一種割不斷的情結。在平常生活週遭處處可見龍的裝飾物，舉凡建築、工藝、服飾及節慶等，龍都分別代表著許多象徵意涵。 本研究以「建構龍形繪畫語言」作為個人繪畫創作的命題主軸，並藉由現代水墨畫的媒材，在水墨畫中實驗新技法，呈現出龍在中國人生存過程中所扮演的角色，並試圖於眾多的龍形中尋找新思想與新觀點，在水墨繪畫中實驗新技法以及建構出讓人印象深刻之構圖形式，期望能夠藉由本創作研究能夠傳達出民眾對於「龍」具有省思與教化之功能，並且提升繪畫技巧，創作出屬於個人特色之作品。 本研究利用文獻研究法來分析及歸納歷代龍形之構成，再以圖像學研究法將龍形解構再重組並賦予象徵意涵，最後以行動研究法將所蒐集到的龍形與象徵元素帶入水墨繪畫創作中；並藉由東西方哲學史觀，包括易經、鏡像理論、擬像原理、圖像符號學等等，以及東西方的藝術流派觀點來作為本繪畫創作之根基。 環視現今社會，權利與欲望高漲的社會波瀾中，企圖營造出以古諷今的後現代思維，藉由本研究之繪畫創作作品，來誘發觀賞者的再省思。顛覆傳統龍形給人的神聖不可侵犯之意象，道出人們心中之永無止境之欲望深淵。
To make a comprehensive survey of Chinese dragon’s history of evolution, dragon is almost equivalent to the symbol of Chinese culture. It’s also spiritual symbol of Chinese nation. It’s given divine power that not only a kind of thought but also a kind of unbroken complex for descendant of each Chinese nation. Dragon’s ornaments are found at everywhere in our ordinary life, for example, construction, craft, clothing, traditional festivals, and so on. Dragon represents many symbolic meanings at different situation. The essay uses “The Construction of Dragon’s Painting Language” as the axis in my painting creation, and experiment with new skills to show the dragon which plays a role in Chinese survival process by using modern ink painting media. Furthermore, the study attempts to look for new ideas and perspectives in a large number of dragon’s shapes; experiment with new skills and construction impressive drawings. I except the research could expresses that people have the function of reflection and enlightenment for ＂dragon＂, promote drawing skills, and works are created with characteristic. First of all, the essay uses method of literature review to analyze and summarize what the ancient dragon’s shapes comprise. Next, using method of iconological interpretation to dismiss and reorganize dragon’s shapes and give the symbol of meanings. Finally, dragon’s shapes are collected by method of action research, and brought into ink painting creation. My painting creation is based on eastern and western history of philosophy view, including I-Ching, mirror theory, virtual images principle and image semiotics, etc., and eastern and western artist’s statement point of view. However, right and desire upserge in the society nowaday, author want to create a postmodern thought that it uses the past to criticize the present. The research works of painting induce appreciator reflection again. To overturn impressions of traditional dragon’s shape which the public feel sacred and inviolable. People tell the thing that they desire like as endless abyss in their minds. |
