本論文乃針對當今全球化的現象，來談東西方文化、藝術發展過程中的矛盾互動，論文首先闡釋全球化的概念來源及其與資本主義的關聯，透過馬克思資本論的發展和演化，點出當今消費文化的藝術形態。其次是從普世主義和後殖民主義的觀點，來看西方及其殖民國家的文化差異和藝術在新社會中的轉變。第二節，書寫全球化與文明的衝突，其中包括西方虎視眈眈的伊斯蘭和儒家文明，文中述及資本主義與文明衝突所衍生的問題，以及本土文化復興的異化。第三節，書寫了藝術的發展與全球化的矛盾互動，並從西方邏各斯中心概念的轉變，來談後現代藝術的轉型及其矛盾互動，以及文化實踐過程中如何超脫地體現全球多元文化共生的理想。 Focusing on the phenomenon of globalization, this paper would like to discuss the contradictory interaction between the East and the West in the development of arts and culture. In the first section, the paper explains the origin of the concept of globalization and its relationship with capitalism. Through reviewing the evolution and development of K.Max’s theory on capitalism, the status quo of art based on consumer culture is pointed out. From views of cosmopolitanism and post-colonialism, this paper then takes a look at the West and its colonies, their cultural differences, and artistic transformation in the new society. In Section II, conflicts between globalization and civilization are investigated, including such cultures that the West is in fear of as Islamism and Confucianism. Problems caused by the conflicts between capitalism and civilization are described, and so are the alienation of indigenous cultural renaissance. In Section III, the contradictory interaction of the development of art in globalization is examined. From the transition of Western logocentric concept, this paper discusses the transformation of post-modern art and its contradictory interaction, as well as how to transcendently realize the ideal of multiculturalism in the process of globalization.
