本文討論在解嚴後的時空背景之下，侯俊明的版畫作品中如何處理個體以及社會共同意識的問題。內文採文獻探討法和文本分析法，從寫實主義觀點出發，試圖找出作者版畫作品中所含有的寫實主義創作方式與精神。不論是二十世紀二、三十年代因戰亂而湧起的社會寫實主義風潮，或是六○年代的新寫實主義，同樣呈現出強調忠實記錄社會現象的特質。台灣光復前後歷經政權的交替，造成社會諸多矛盾，其中又有文化多元性和不確定性，這些刺激亦為藝術創作帶來許多可能性。就創作而言，社會寫實反映創作者對現世的藝術表現。侯俊明的作品在形式上充滿異質性圖像與文字的運用，並且在社會時序的脈動過程中，反映藝術家對社會環境的想法，並以藝術反諷的表現手法表達身體自主的覺醒意識。並將身體私密問題社會化，使作品同時具有私密性與社會批判性。 This article discusses after rescinding martial law under the space and time background, how in Hou Junming the print work deals with the issue which the individual as well as the society realize together.In the literary talent literature discussion law and the text analytic method, embark from the realism viewpoint, attempt the realism creation way and the spirit which discovers in the author print work to include. No matter is the 20th century two, the 30's the social realism unrest which surges because of the chaos caused by war, perhaps 60 age new realism, similarly present the emphasis faithful recording social phenomenon the special characteristic. Around Taiwan recovers has been through repeatedly the political power taking turn, creates social many contradictions, in which literacy polytropism and the uncertainty, these stimulations also brings many possibilities for the artistic creation.Speaking of the creation, the society practicalizes reflects the creator to the present world artistic performance. Hou Chun-Ming the work fills the non-uniformity image and the writing utilization in the form, and in the social succession pulsation process, reflected the artist to the social environment idea, and the expression means which instead satirizes by art expresses the body independently to awaken consciousness. And the bodily private dense question socialization, enable the work simultaneously to have the privacy and the social criticalness.
