| 摘要: | 本論文以影片《地海戰記》作為文本分析之對象，剖析導演宮崎吾郎（宮崎駿的兒子）如何藉由影片的人物關係、主題曲等象徵，在視覺藝術創作解析部份，分別以視覺和聽覺兩方面探討影片的內容，藉由分析《地海戰記》中意象的描述，透過榮格（Carl Gustav Jung，1875-1961）的分析心理學理論，以「集體潛意識」（Collective unconscious）為主軸，而就「原型」（Archetype）、「人格面具」（Persona）、「陰影」（Shadow）、「阿尼瑪」（Anima）、「阿尼姆斯」（Animus）、「自性」（Self）等觀點，來分析論述主人翁亞刃與其他角色的人格特質及傳達的意象。在旅程的事件及角色中，《地海戰記》中的亞刃逐漸深入體會到生命的意義，瞭解心中的恐懼，從而能夠面對自己內在的陰影，也接受生命與死亡相關的事實，在旅程的終點，完成亞刃的自我轉化的個體化過程，這篇論文在探討文本的詮釋中，包括生命層次，以及企圖提供觀者新視野。 研究結果發現，這部影片的藝術之一就在於作品中是與生命有所相關聯的，將與人有最貼近的生死問題，由角色不斷的往內在反省，面對自我的陰影而轉化的旅程中，重新思索這部影片，就將嚴肅的、易被忽略的問題融入影片，希望提供結合藝術、哲學、心理學的深層分析面向，可重新予嶄新、更寬廣的詮釋。
The paper takes a film of ＂Tales from Earthsea＂, as the subject to analyze director--宮崎吾郎，by film's symbols, such as the relationship between characters, theme songs, etc. So, as for visual arts appreciation, In this paper, respectively, both from the visual and auditory analysis the described of images. The field study were analyzed using the theory of Jung's collective unconscious in analytic psychology played a pivotal role in this study. The perspectives of archetype-- persona, shadow, anima, animus, self, were also used to interpret character personality and convey imagery，and the major character- Arren of ＂Tales from Earthsea＂ to reach the status of Self archetype. In the journey's events and roles of the film, Arren of the ＂Tales from Earthsea＂ gradually come to realize the meaning of life, dispel fear, and thus be able to face their own inner shadow, also accepted the fact related to life and death. The end of the journey, Arren completed the Individuation Process. This paper explore to the interpretation of the text, including life levels, and attempts to provide new vision for the viewer. |
