雲想衣裳花想容－台灣原住民族之美創作論述

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Title:	雲想衣裳花想容－台灣原住民族之美創作論述
Other Titles:	A creative exploration on the beauty of Taiwan's aboriginal Culture
Authors:	吳麗玲 Wu, Li-ling
Contributors:	美學與視覺藝術學系碩士班羅雪容 Hsueh-jung Lo
Keywords:	視覺藝術;台灣原住民族;文化;毀飾;原始藝術;現代藝術 aboriginal people in Taiwan;visual art;original art;modern art;destruction;culture
Date:	2010
Issue Date:	2015-03-12 16:18:31 (UTC+8)
Abstract:	大自然是原創之源頭，台灣原住民族身處自由開放的大地與隨地可取材的環境，這是長期以來孕育原始藝術最重要的條件，由歷史發展來看，不管是對原始自然的敬仰、生命力的歌頌、傳統圖紋的創造，台灣原住民族了解並貼近土地，他們融入山海環境的胸襟、傾聽萬物的聲音、尊重融合自然生命的態度亙古未變。其優良的傳統文化，充滿敬天、懷念、祖靈原始生命力的表現，更有傳統圖紋的創造，此乃以《雲想衣裳花想容－台灣原住民族之美創作論述》呈現的主要前題。有感於社會環境的變遷與文明的衝擊，其優良傳統文化因各族耆老的年老凋零及無文字的紀錄情況下，已漸漸流失，若再不好好維護恐有絕跡之虞。　　　多年來陸續造訪許多台灣原住民族部落，除了對其特殊的風土民情感動外，更感佩他們努力追求回歸自然的本性，此次以《雲想衣裳花想容－台灣原住民族之美創作論述》為主題，嘗試從原始思維與原始藝術創作模式的研究中，來探索台灣原住民族如何在自然環境與大地和諧共存，針對台灣原住民族的衣飾之美、毀飾之美等系列，以複合媒材的手法，在傳統與創新中求突破。在已正名的十四族群中會陸續有計畫的探究，為逐漸流失的台灣原住民族傳統文化藝術，略盡棉薄之力，好好加以維護與宣揚。　　本創作論述針對《雲想衣裳花想容－台灣原住民族之美創作論述》為研究對象，撰寫的內容茲簡述如下：第一章緒論，闡釋本研究之動機與目的及研究方法和研究範圍與限制。第二章台灣原住民族的思想脈絡與文獻探討，包括台灣原住民族藝術的探討、台灣原住民族的文化與藝術、台灣原住民族的造形與視覺藝術、台灣原住民藝術和西洋藝術的比較和創作思想與理論基礎五大部分。第三章繪畫創作理念、形式與技巧媒材，分別是理念形成與社會背景、繪畫創作理念、創作形式、技巧與媒材的運用。第四章作品分析與詮釋：（一）衣飾之美系列（二）毀飾之美系列。第五章結論，針對本論文之研究，提出綜合性結論，以及後續的發展。　　The nature is the origin of human creation. Aboriginal people in Taiwan make their living in an environment with liberty and richly natural resource, which is a crucial condition of their creation of original art along aboriginal history. In term of their history development, not only their respect to natural power and lives but the innovation of traditional painting demonstrates aboriginal people's close connection to the earth. They have been involving in natural environment, respecting the sound from natural creature and integrating their lives with nature constantly. The manners of fear of God and ancestor's spirits are demonstrated in their traditional culture, and the creation of traditional painting, which will be the main theme in the subject of ＂A creative exploration on the beauty of Taiwan's aboriginal Culture--Li-ling Wu's Oil Painting Works＂Since the transition of social environment and impact of different civilizations come up, their traditional culture gradually fades away because the elder men were gone and no literature been kept. If we don't make more effort in the maintenance, the tradition culture could be never seen in our lives.　　　In these years, by visiting several aboriginal tribes in Taiwan one is deeply impressive of their folk culture and praises their spirit to worship nature. In this topic ＂A creative exploration on the beauty of Taiwan's aboriginal Culture--Li-ling Wu's Oil Painting Works＂ one would be committed to explore how aboriginal people keep in harmony with natural environment through the study of their original thoughts and art creations. Especially on clothing and carving works, they try to make breakthrough under the collision between tradition and innovation through complex tools. Over the orthodox 14 tribes, one would practice a series of study plans and work for the renovation and maintenance of traditional aborigine culture and art.　　　　The study would focus on this subject ＂A creative exploration on the beauty of Taiwan's aboriginal Culture--Li-ling Wu's Oil Painting Works＂. The first chapter is general discussion covering one's study motivation and purpose in addition of study procedures;compass and limits. The second chapter is named aboriginal people's thinking network and documents conferring, covering the five parts: the exploration of art of aboriginal people in Taiwan;the culture and art of aboriginal people in Taiwan;the model and visual art of aboriginal people in Taiwan;the compare, creation thoughts and theory foundation of aboriginal people in Taiwan and the Western art.. In the third chapter, the creation thoughts;styles;skills;tools and materials of the painting will be discussed. All the forming thoughts;social background;creation notions of painting;creation styles;skills and materials use ＂A creative exploration on the beauty of Taiwan's aboriginal Culture--Li-ling Wu's Oil Painting Works＂ as the theme. Moving to the forth chapter, what one would analyze are as follows: (1) beauty of clothing (2) beauty of destruction. Finally the conclusion on this thesis and outlook of future development would be collected in the fifth chapter.
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