繪畫性滴流之心象表現－謝政佑創作論述

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Title:	繪畫性滴流之心象表現－謝政佑創作論述
Other Titles:	A Research on the Expression of Images in Drip Painting--A Discussion of Cheng-Yo Hsieh's Painting
Authors:	謝政佑 Hsieh, Cheng-yu
Contributors:	美學與視覺藝術學系碩士班羅雪容 Hsueh-jung Lo
Keywords:	謝政佑;繪畫性滴流;波洛克;藝術創作 Pollock;Artistic Production;Cheng-Yo Hsieh;Drip Painting
Date:	2010
Issue Date:	2015-03-12 16:18:34 (UTC+8)
Abstract:	本文以美國抽象表現主義畫家－傑克森．波洛克之繪畫性滴流的主觀感觸來發展，試圖從繪畫形式與心理分析的角度來解釋自身對滴流圖形的疑問。　　　第一章確立研究的目的於：（一）新知識的探究與思索；（二）生活的觀察與批判；（三）創作的實踐與貢獻；（四）未來創作的蓄勢與省思；並運用：一、文獻分析法；二、品質思考法；三、行動研究法。三種研究方式來對相關議題進行分析歸納。而在第二章文獻的探討領域包含了四項：一、抽象表現主義畫家波洛克的生平與其滴流技法之相關論點；二、繪畫形式中對點線面之幾何學定義與視覺性質；三、心理分析中羅夏克墨漬測試之理論初探；四、色彩心理學之相關研究。　　　第三章為作者闡述創作的實踐歷程，從理念的發展到形式的協調作一統整性的探討，且依照歸納出之結論以滴流技法來呈現筆者對心境投射的詮釋與認知。接著第四章中深入的為兩系列主題作個別解析，從呈現的主軸、背景與象徵來詮釋創作意念，以視覺感官的刺激來予以觀賞者暗示，企圖誘發心境的共鳴與心象的反饋。　　　最終章為結論，針對研究做整體檢視與反省，替創作歷程歸納總結與紀錄，冀希未來有更多思考空間的創作發展。　　This dissertation is developed and inspired from the paintings of the American abstract expressionist Jackson Pollock and his drip paintings. The author attempted to solve his doubts and questions about drip painting by analysing the painting style and techniques involved and researching works on the psychology of the artists.　　　The first chapter is focused four objectives of this research:（a）The exploration and investigation of new knowledge.（b）The observation and criticism of life.（c）To review and discuss the meaning of his art works.（d）To develop technique and understanding to assist in future work.The dissertation makes use of Literary, Quality and Action research methodologies when analysing the author's work.　　　The second chapter is examines relevant documentation in depth analysing:（a）The life of Jackson Pollock and his drip painting technique as well as other related topics.（b）The definition of geometry in arts from point and line to plane.（c）The theory of Rorschach test in psychoanalysis.（d）Color psychology and related studies.　　　The third chapter is about the progress of the author's artistic work. In this chapter the author explains how he developed the original concept at the beginning and how he worked to improve the skills and understanding needed to achieve his goals. Then according to the conclusion of the research the author shows that this form of painting inspires viewers to imagining associated images and objects.　　　In the fourth chapter, the author analyses the two series of works from their central themes to the inherent symbolism and the background of the art to explain thought process and core concepts his art work. Using the visual sense to stimulate the viewer's emotions and imagination the artist's work resonates with the audience and builds an empathy with the work.　　　The final chapter provides the conclusions of the work and research as well as summarizing the process and effort of creating the art work. The author hopes that in the future he will have greater opportunity to explore this art form and develop and extend the creative process to output a further body of work.
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