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    題名: 女人畫題-簡佳倚之繪畫創作研究
    其他題名: Viewing Womens' Value through Paintings--A Case Study of Chien Chai-yi's Arts
    作者: 簡佳倚
    Chien, Chia-yi
    貢獻者: 美學與視覺藝術學系碩士班
    葉宗和
    Tsong-ho Yeh
    關鍵詞: 女性主義;彩墨;女人;繪畫創作
    Creative artistic works;Feminism;Woman;Color painting
    日期: 2010
    上傳時間: 2015-03-12 16:18:55 (UTC+8)
    摘要:   在看似女男平權的現下,不平等的現象仍持續發生著,只是大眾習慣這樣的規則。不平衡的社會壓力重重地壓在男人和女人身上,使得性別成為根深蒂固的羈絆,如經濟能力、孝養父母、料理家務等問題,群眾所習以為常的慣例,都應該要停下腳步去審視。男女因生理構造不同,先天就存在著不可能平等的條件,也正因如此,筆者以為更應該積極的尋求出路,以減輕因性別所帶來的痛苦和困境。   在人生的成長旅途上,經歷了花樣的艷麗青春、重要的歸寧大事、神聖的孕生與育兒,筆者以女人的身分走過這些階段,以一個女人的視角,將所感所想透過繪畫呈現出來。   本繪畫創作研究共分五章。首章緒論,闡釋研究動機與目的、研究方法與步驟、名詞釋義、研究範圍與限制。第二章學理基礎,探討與「女人畫題」相關之理論分析,包含女性主義與當代女性生活現象,並剖析藝術與女人的關聯。第三章創作理念與實踐,是探討影響本創作研究精神與繪畫形式之理論,包含藝術與生活結合、情感思維的轉化昇華等;另外以符號喻意、色彩運用、空間處理等角度,說明創作理念的實踐。第四章作品詮釋分「爭艷」、「慾望」、「孕生」、「人母」四個系列,依序詮釋作品之主題內涵、內容形式、表現技法,以說明「女人畫題」所要傳達的女人生活記事與反思。第五章結論,將本繪畫創做研究之心得回顧統整,並提出對未來的期許與展望。   筆者之創作探討社會、心理、生命等議題,皆是由各人生活經驗累積而來,不僅以女性的眼光觀察女人生活的紀錄,也是當下社會文化的紀錄與發聲。期望透過本繪畫創作研究,以彩墨為主要要素,配合其他領域之媒材與形式,達到「異質同構」的創作理想,以延續個人的創作之路,並藉由作品展示產生情感交流。
      Was looking that resembles female male equal rights the present, not the equal phenomenon continually was still occurring, is only we are familiar with such rule. The imbalance of social pressure put on man and woman result in the sex to become the ingrained fetters. Such we are accustomed to the conventions just like economic ability, devotion for parents, dealing with housework and so on, we should stop the footsteps to examine. Because the physiological structure is different between men and women, so unequal conditions always existed between men and woman. The author was seeking positive ways to reduce the pain and difficult positions from sex.   In the growth journey of life, we experienced the gorgeous youth, marriage, pregnancy, and bring up children. The author passes through these stages, and she presents it by drawing as a woman's view.   There are five chapters in this study of creative art works. The first chapter is the introduction which develops the motivation, purpose, methods, processes, noun interpretation, and the range and limitation of study. Chapter Two is the theoretical foundations that explore theoretical analysis about ”Woman and Drawing”, that including the feminine principle and the phenomenon of the contemporary female lives. And then analysis the connection between art and woman. Chapter Three is the analyses of the ideas and practice, which discuss the theory of creation spirit and the drawing form. It including combining with art and life, transforming emotion and thought. Moreover by mark, color utilizes to explain the practice of creation idea. Chapter Four annotates four series of the selected art works-“compete for attention”, ”desire”, “pregnancy”, “to be a mother”. She puts emphasis to implement the self-analysis with the illustrated content, formation, and displaying of the skills of each theme to illustrate “drawing and woman” which wants to deliver woman’s life and meditatation. Chapter Five, she presents a comprehensive conclusion and the direction for her future creative, according to the research of her thesis.   The author’s creations discuss the subject of society, psychology, and life, which are from her experience of life. Not only observes woman lives by feminine judgment, but also record the social culture. Taking the color as the key element by this drawing creation to achieve the dream of “same and different in the same situation”. And by her drawing to show the exchange feeling.
    顯示於類別:[視覺藝術與設計學系] 博碩士論文

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