本論文主要的研究目的，在於探討德·基里訶(Giorgio de Chirico)「形而上繪畫」(Metaphysical Painting)的表現形式及創作歷程的演變，並將「形而上繪畫」的觀念和理論應用在筆者自身的藝術創作之中。德·基里訶的「形而上繪畫」風格，除了跳脫了自然主義的束縛，也和文藝復興的古典畫風有所區別。在他的創作題材中，時常表現出一種屬於〝形而上〞的孤立與冷漠的現實感；有時則是透過描繪華麗的圖像來表達出〝形而上〞的哲學觀點。德·基里訶的繪畫隱含著一種難以言喻的詩意，理解和欣賞德·基里訶的繪畫作品，可以讓人感受到一種靜謐的神祕性。 本文試圖相對比較德·基里訶的「形而上繪畫」和筆者的作品，並根據二者的技法表現、客觀物像和造形內涵等多重面向去做分析研究，藉此以明白「藝術」的真正意義。本論文的研究目標，在於透過理解德·基里訶的創作理念和感動人心的深度內涵，確立筆者的藝術創作方向。期盼讀者能在理解德·基里訶的繪畫語言和創作形式的過程中，提升對藝術作品的鑑賞能力。 The thesis's main research objective is to explore the expressive style and the progression of creative process of Giorgio de Chirico's metaphysical paintings, and to apply metaphysical painting's concepts and theories on the author's own artistic creations. Giorgio de Chirico's metaphysical painting style, not only escapes the restrictions of naturalism, but also differs from the classical style from the Renaissance. The themes he created usually express the aloof and cold realistic feelings that pertain to the metaphysics; sometimes he expresses the metaphysical philosophy from the flamboyant images. Giorgio de Chirico's paintings imply unintelligible poetic rhythms; understanding and appreciating his paintings can make one feel a quiet mysteriousness. This essay tries to compare Giorgio de Chirico's metaphysical paintings and the author's works; it also explores the true meaning of art by analyzing and researching aspects such as both persons' technical expression, objected images, and figure's implications. This thesis's research objective is to ascertain the author's artistic and creative direction through understanding Giorgio de Chirico's creative ideas and movingly deep implications. I hope readers can improve their appraisal during the process of understanding Giorgio de Chirico's painting languages and creative forms.
