| 摘要: | 「電影」是社會文化的產物，電影內容反映的往往是人類的集體心靈。而電影是社會中最具有影響力的一種藝術型態，同時兼具文化與同特定時期的社會文化語境；如個體生存的境況與慾望、經濟的轉型、現代傳播媒介的作用、商業資本的運作、菁英文化與大眾文化的衝突與轉化等，形成各種複雜而微妙的聯繫。每個人不論閱讀小說或看一場電影就像是透過主角去實現創造自己不曾經歷的世界，滿足心中的渴望。讓自己短暫的進入夢中，一個烏托邦的世界。而觀看不同國度的電影，就如同進入不同國家的文化藝術的殿堂。 本研究對象以Stephen King原著改編的電影作品為主，並運用精神分析理論來探討兩者之間的關係，以達到整理與歸納精神分析中Freud與Lacan學說對文化研究的影響，並透過分析Stephen King原著改編的電影作品與精神分析間的關係，瞭解文化認同之影響與關鍵。 Stephen King的作品在驚悚、恐怖的點綴下，仍不偏離對「人性」深層的探討主題，與精神分析中Lacan談到人的主體是隨著慾望不停的轉移，最終有可能建立起主體，但也有可能踏上毀滅的旅程。 本研究分析的四部電影中，《秘窗》的主角莫特就是介於毀滅與建立之間，因而成為一個透過「幻想」而存活下來的人；《戰慄遊戲》的安妮因將人生投影至小說家保羅作品中的人物苦兒，與現實生活產生脫離，最後走上死亡；《刺激1995》中的安迪在成年時重新學習適應新文化，隨著時間/慾望的變遷，建立起符合新社會文化制度的新主體；《勿忘我》中巴比是在泰德與圖書館文字符號的陪伴中，找到自己，真實的感受到「存在」與生命的意義。 若人的生命是處在沒有意義的狀態下，終究無法體驗到自己的存在，這也跟Lacan提到「精神分析就是生活經驗」的觀點相互輝映。在Stephen King的作品中，看到人的本性，當自己對人性的掌握與認識越深，就等同於對自我的認識越深。因為這一個關鍵，本研究發現全世界共同的語言「人性」。
「The movie」 is the social culture product, the movie content reflection often is humanity's collective mind. But the movie is in the society the most influential one kind of artistic state, simultaneously has both cultural and with the specific time social culture linguistic environment; If the individual survival's condition and the desire, economical reforming, the modern vector's function, trade capital's operation, the cyanine UK culture and mass culture's conflict and the transformation and so on, form each kind complex and the subtle relation. No matter each person the reading novel or looked that a movie likely penetrates the world which the lead realized creates himself not once to experience, in full sole of the foot hope. Short enters oneself falls asleep, a Utopia world. But watches different state the movie, is similar to enters different national the cultural art palace. This object of study by the Stephen King original works reorganization's movie work primarily, and discusses between both's relations using the psychoanalysis theory, achieves in the reorganization and the induction psychoanalysis Freud with Lacan the theory to the cultural research influence, and penetrates analyzes the Stephen King original works reorganization the movie work and during the psychoanalysis relations, influence and the key the understanding culture approval. The Stephen King work in is frightened, under the terror embellishment, still did not deviate rightly 「the human nature」 in-depth discussion subject, Lacan with the psychoanalysis to talk about person's subject is the shift which does not stop along with the libido, has the possibility to establish the subject finally, but also has the journey which the possibility steps destroys. In this research analysis four movies, ＂Secret Window＂ lead Mort is situated between the deconstruction and the establishment, thus becomes one to penetrate 「fantasized」 that survives the human who gets down; ＂Misery＂ of because Annie the life projection to the writer of fiction Paul work's in character, has painstakingly with the real life is separated from, finally steps onto the death; ＂The Shawshank Redemption＂ of Andy when grown-up studies adapts the new culture, along with the time and desire's vicissitude, establishes conforms to the new social culture system's new main body; ＂Hearts in Atlantics＂ of Bobby is in Ted Brautigan and in library article character number accompanying, found itself, real feeling 「existence」 and life significance. If person's life is occupies does not have under the significance condition, is unable to experience own existence eventually, this also with Jacques Lacan to mention 「the psychoanalysis is the experience of life」 the viewpoint shines mutually. In the Stephen King work, sees person's natural disposition, when are deeper to human nature grasping with the understanding, equates in is deeper to the self-understanding. Because of this key, this research discovery world common language 「human nature」 . |
