許多對於周星馳的相關研究是以無厘頭此文化現象來作探討，而本文則企圖以巴赫汀的狂歡節論點結合失諧理論、「失諧－解困」理論、優越性理論、釋放理論等來探討：1.觀看周星馳電影內容裡對一切事物嘲弄的同時，我們是如何產生認同或生活世界是如何影響我們的認知。2.周星馳電影作為現代的狂歡廣場，所包含的元素與真實社會的連結。3.觀看周星馳電影，來達到釋放情緒。 研究發現，電影表達了現實社會的層級關係，各種形形色色的人物就如同社會裡的各階層被濃縮在這廣場內，大家在廣場內打破官方禁忌與階層關係。廣場裡提供不同於日常生活的思考模式讓我們觀看所處的社會，更以充滿生命力與創造力的精神讓我們可以跳脫制式，尋求其他的管道把既定的東西豐富化。不論是對現實秩序的解構或是使用上下倒錯的方式嘲弄上層階級，廣場裡藉由對生活週遭反諷的獨特表達方式，成為提供現代人狂歡與釋放的另類廣場。 Many of the Stephen Chow’s research was based on kuso. But this research takes Bakhtin’s carnival theory, incongruity theory, incongruity-resolution theory, superiority theory and relief theory to confer : 1. While watching we watch the Stephen Chow’s movies which make a mockery of everything , how that affects our identity formation and the perception of the living world. 2. Take Stephen Chow’s film as a modern carnival square, what it contains and how to connect with the real life. 3.Watch Stephen Chow’s movies, to achieve the release of emotions. The research concludes that the film expresses the reality of social hierarchy, many kinds of characters like the various sectors of society have been concentrated in this square. Everyone in the square had break taboos with the official and class relations. Square provided the model of thinking which is different from everyday life and is more of vital and creative to the spirit that makes us escape from the standard. No matter it deconstructs the order of reality or make it upside down or make a mockery of the upper class. Square takes a unique way to the irony of life, and provides a carnival and releasment to people.
