漢〈鼓吹鐃歌〉十八曲歷來均以難解著稱，前輩學者在文本的解讀方面，下過極深的工夫，但依然並未取得較為一致認同的看法。本論文以漢〈鼓吹鐃歌〉十八曲為中心議題，討論其形成的歷史因素及其影響，並以共時性的相互影響關係，考察其在當時社會音樂環境中的功能與轉化。採取歷史研究的角度，還原其形成的時代環境，由其背景因素重新考察，將〈鐃歌〉的名實關係重新定位，並在新的定位與分類的原則之下，再次分析其句解，並考察其具體的影響範圍。 本文共分六章： 第一章「緒論」，說明本文的研究動機、研究範圍，以及研究方法，並敘述全文的論述程序。 第二章「前人的研究成果之分析與檢討」，主要是釐清前人對漢〈鼓吹鐃歌〉十八曲的研究版圖，並分析其得失，一方面可以在前人的基礎上，繼續研究，一方面又可以先了解前人研究的盲點與限制性，並著手加以補正。 第三章「從中國傳統軍樂到『鼓吹鐃歌十八曲』」，主要處理的問題是「先秦軍樂」、「鼓吹」、「鐃歌」、以及「鼓吹鐃歌十八曲」的名實關係。 第四章「〈鐃歌〉十八曲的重新詮釋」，將漢〈鼓吹鐃歌〉十八曲依照其來源、功能主旨分類並重新句解、詮釋。 第五章是將曹魏至中唐的仿作漢〈鼓吹鐃歌〉的現象作歸納整理，試圖由這些仿作的作品中，窺得〈鼓吹鐃歌〉在後世影響力與地位。 第六章為結語。本章總結全文的研究成果，並依據漢〈鼓吹鐃歌〉十八曲的特性，對其在文學史的影響提出看法。 The eighteen songs of “Nao Ge” in Han dynasty has been noted for its hardness contents to comprehend even many senior who master in this realm can hardly reach the same consensus. In this case, this essay is aimed at discussing historical elements which the 18 songs were formed and the influences it had caused to later generation by using the mutual relationship, historical background and its influence, between each other to observe the musical function eighteen songs of “Nao Ge”and transformation in Han dynasty. In order to realize the elements which the 18 songs were made, I am trying to use the historical study to recover its original social circumstance which the 18 drum flute song’s were formed and attempt to redefine the value of 18 song’s contents that people have had recognized for the long period. In this case , to give the new definition and sorting principles through analyzing the narration of its sentences and researching the concrete field which it had been influenced by eighteen songs of Nao Ge seems to be the main issues this that essay want to construct.
