死生之境：台南南郊竹溪沿岸墳場地景之文化與構成分析

南華大學機構典藏系統 > 人文學院 > 生死學系(生死學系碩士班,哲學與生命教育碩士班) > 博碩士論文-生死學系碩士班 > Item 987654321/21508

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题名:	死生之境：台南南郊竹溪沿岸墳場地景之文化與構成分析
其它题名:	The Realm of Life and Dead--On the geographical/environmental formation and culture of Graveyard, along the banks of the Bamboo Stream, Southern Suburb outside the Tainan City Wall
作者:	陳鈴琴 Chen, Ling-ching
貢獻者:	生死學研究所林朝成 Chao-chen Lin
关键词:	生死文化;風水;台南聚落;竹溪;南山公墓;法華寺
日期:	2003
上传时间:	2015-06-16 14:23:35 (UTC+8)
摘要:	這是一本以「尊重」場所精神的經驗，用進入地景的心態去觀察田野——南郊桶盤淺墳場，所呈現的論文寫作。而非理性的瞭解，卻脫離了地景，只是在其空間上施加智識的秩序之論文。整本論文的重點，將是如何進入地景構成，的觀察與感受。因此，研究目的就是要找出，桶盤淺墳場與台南社群間勾連關係的內容。希望藉由對這勾連關係內容的解剝、分析，進而闡明南郊竹溪沿岸場所精神與台南地方社群間的「情緒」、「感覺」。　　　為了要進入這種與地方有「情緒」、「感覺」，所以從這空間意涵的歷史、記憶、行為、傳說、象徵、文化，去瞭解南郊竹溪沿岸墳場空間之構成，整理出竹溪沿岸空間的結構發展。因此，發現到南郊是處於，台南社群活動的核心之外，而且許多的集體記憶也都距離現今社群太過久遠，人們與這地方關係上的勾連，過於遙遠。　　　現今台南地方社群，對這地方的感受早已是「存在」的局外人，與地景脫離了關係。目前唯一的集體連結只剩下清明時節，掃墓的文化活動而已。因此南郊地方的「死亡文化」恐怕難以脫逃被，大量生產的「都市公共設施」形成的「經濟利益空間」所吞噬。　　　但是在田野觀察裡，我們看到喪親者藉著對死者軀體安葬的具體行為，察覺到喪親者的情緒是隨著安葬儀式而完全投入，將自己整全地融入儀式空間的氛圍，進入擬象的異界，喪親者在這擬象世界裡也將「死亡」給安置了，象徵著存活的人可以圈囿一切死亡想像，人在此轉化了死亡也安頓了自我。然而，南郊竹溪沿岸空間每一分一吋土地的signifier（能指），無一不是在representation（再現），人存活下來的處境與力量。本論文的撰寫只想提供給，未來要經營、改造，南郊竹溪沿岸空間的團體和個人，多開一扇另類思考的空間。　　In this thesis, information about the targeted research geographical area-the Ton-Pon-Chen graveyard was gathered on site, rather than gathered from rational analysis in the laboratory. For without field understanding, the research will only be a theory. Therefore, in the process of investigation, things were observed from a local point of view, rather an outsider, in order that one may respect the “field experience” existing in the Ton-Pon-Chen graveyard. The “field experience” is a presentation of all kinds of human activities, including both spiritual and non-spiritual. The main points of this thesis lie in describing the observations and feelings upon constructing that time and space during field investigation. The purpose of the research is to reveal the relations existing between Tainan city citizens and the Ton-Pon-Chen graveyard. The relations concern the citizens’ emotions placing upon the graveyard as time changes. It is hoped that through analysis the emotions and feelings of Tainan city citizens during their spiritual offering can be clarify.　　　To understand the chronological change of the structure, both physical and spiritual, of the graveyard, several aspects were examined, including history, memory, activities, legend, symbolic figures and culture.　　　It is found that the graveyard is not the core where the citizens’ activities occurred. The collective memories about the graveyard are too far away from the life of modern Tainan citizens. The modern Tainan citizens regard themselves as outsiders from the Ton-Pon-Chen graveyard. Their only connection with the graveyard is ancestor worship during Tomb Sweeping Festival. Thus, it is afraid that the death related culture of the graveyard would be devoured by the economically interest space which created as a result of mass production of city public facilities.　　　However, the families were observed to be completely spiritually devoted to their lost ones during the burial ceremony, their imagines entering a world created by the religious ceremony, thus their uncertain fear about death was settled in that world. This indicates that the living people can control their images about death. It can be seen that every square inch of the Ton-Pon-Chen graveyard is a signifier. That is, the religious ceremonies reoccurring on the graveyard have social functions and religious functions. The ceremonies were able to comfort the hearts of man and give the ones who lost the courage and strength to live on.　　　It is hope that the conclusions of the research can offer one way of thought for those groups or individuals who in the future would seek to operate and rebuilt southern suburb of Tainan City, along the banks of the Bamboo Stream.
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