資料載入中.....
|
請使用永久網址來引用或連結此文件:
http://nhuir.nhu.edu.tw/handle/987654321/21856
|
| 題名: | 生之舞—『鳥與水舞集』之共命經驗探討 |
| 其他題名: | The Dance of Life--The Study of coexistence Experience in Bird and Water Dancing Group |
| 作者: | 張漢章
Zhang, Han-zhang |
| 貢獻者: | 生死學研究所
李燕蕙
Yan-hui Li |
| 關鍵詞: | 鳥與水舞集;身體知覺;互為主體性;詮釋現象學 |
| 日期: | 2004 |
| 上傳時間: | 2015-07-06 14:56:38 (UTC+8) |
| 摘要: | 本研究以特殊肢體舞集—「鳥與水舞集」為對象，探討特殊藝術中的身體知覺，透過研究者過互為主體性的反思，對舞集集體生命的全部感觸的表達抒發。 從中可發覺舞者過人的生命韌性，與生命存在的真實呈現，激起研究者生命最深層的流動。舞者透過身體接觸而得到的生命經驗，透過各自具有的視覺、觸覺、聽覺、想像力，分享這些感受的過程，產生生命的流變。那是一種被禁錮之後重新釋放的主體性與自由性，一種把「我」作為一切思維與行動之起始動力的自覺性。 那殘缺身體所舞出的輕盈的舞蹈，是特殊的身體藝術形象、特殊的生命質感，也是沉重身體與無奈宿命的投射。身體被遮蓋的殘缺意義，源於其被視為對正常社會秩序的威脅，是一個不該被談起的禁區。然而社會對「觀、聽」的限制，更激起研究者對「觀、聽」的渴望，進而去解讀對殘障者卓越表現的語言真實。究竟是對殘障者成就的神化與模糊化；還是隱藏各種對於殘障者不公平對待。 在詮釋現象學的觀照下，現在、過去的界線被抹除殆盡之後，一種記憶再現，這種對「身體」記憶的追求不是單純的，因為面對「身體」意義的背後，往往是一個權力的問題。 藉研究的批判，從身體世界層層解構，殘障舞蹈的藝術生命似乎不如表象中的美好，那是一種發現殘酷事實的驚嘆。然而，驚悸過後，依舊要如實地面對人生。因為，生命是該存在些深層意義，未到終點無法預設生命的結局。以生活、生命參與捕捉位於邊際的故事，記錄殘缺生命韌性與堅持期望；傳遞了一齣隱諱角落中的生命傳奇，也讓肢全者聽到弱勢者的無聲吶喊！
The research is based on a dancing group of disabled people, Bird and Water Dancing Group, to probe into the body image of special art. Through the self-thoughts on inter-subjectivity, the research workers express the stirring emotion for all the members of the dancing group. From the research, we can see the strong tenacity of the dancers and the bitter truth of their existences. It inspired the deepest touching feelings in the research workers. The dancers get their life experiences from the touch by their bodies; sharing the procedure of their feelings by their own sense of sight, sense of touch, hearing, and imagination; and then creating their own feelings. It's like they get the freedom from being imprisoned for a long time. They suddenly become conscious of themselves and make themselves the motivity of all their thoughts and actions. The dance of the disabled is an art image of unusual bodies and different life qualities. It is also the reflection of the somber bodies and helpless destiny. A disability is considered to be an implicit threat to the normal social order. It is just like a restricted area which nobody should talk about. Imposing restrictions on watching and hearing arouses a strong desire for that. Furthermore, it helps us to face the brilliant success of the disabled people squarely. No one knows it is because we exaggerate their achievements, we blur their great successes, or it hides many unfair treatments to the disabled. In the light of the hermeneutic phenomenological methodology, we can eliminate the fine line between the present and the past. After doing that, we can gain a new perspective which is not simply in pursuit of ＂body.＂ Because the true meaning of ＂body＂ is always associated with ＂power.＂ By doing research and decoding our body world, we can learn that the spiritual life of the dance performed by the handicapped seems not to be as good as it should be, which is a great shock to us when understanding the cruel reality. However, after the shock, we still have to face our real lives. There is something so meaningful in life that we won't be able to predict what our lives will end up like. This research tells stories about social loners and records their endeavor to deal with the imperfect life as well as their expectations. On the other hand, this research not only reveals the amazing lives of people living in inconspicuous corners of society but screams voicelessly for the social minority to the healthy and sound people. |
| 顯示於類別: | [生死學系(生死學系碩士班,哲學與生命教育碩士班)] 博碩士論文-生死學系碩士班
|
文件中的檔案:
| 檔案 |
描述 |
大小 | 格式 | 瀏覽次數 |
|---|
| 093NHU05672001-001.pdf | | 4158Kb | Adobe PDF | 1002 | 檢視/開啟 | | index.html | | 0Kb | HTML | 187 | 檢視/開啟 |
|
在NHUIR中所有的資料項目都受到原著作權保護.
|
