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    題名: 虛境蘊美與三象造境─虛境美學之概念創構
    其他題名: The Vacant States of Mind Conceive the Sense of Beauty with Three Images: Creating a Poetic Concept of "Aesthetics of the Vacant Atates of Mind"
    作者: 廖曼虛
    Liao, Man-she
    貢獻者: 哲學研究所
    陳章錫
    Chang-hsi Chen
    關鍵詞: 造境;三象;道家;莊子;心靈;境界;美學;生命;人文;意境;審美;虛境
    mind;vacant;beauty;unsonsciousness;poetic;life;aesthetics;art;transpersonal;state;sprit
    日期: 2006
    上傳時間: 2015-08-04 11:41:21 (UTC+8)
    摘要:   〈虛境蘊美與三象造境〉一文,旨在揭顯「人類心靈的無限可能」,故以「高級心靈之進德修業」入手,以期超越於生命境界、人文境界、和審美境界……,因而先以創構「虛境美學的學科概念」為實行,俾為「虛境美學之學科建構」的進路而永續經營,意義深長而多重:一為純道義意──它純以先秦之老莊思想為本,未直涉佛禪,不雜染宗教,亦不預設立場。二是開創義意──它融貫了「莊子內篇與榮格思想」,而開出「心靈層境之生命境界」的格局,為前人所未道及;以「虛的哲學與道家美學」之「主觀境界的觀照玄覽」、德才礪練於「高級心靈與人文識境」,而開出了「心靈虛境的立體圖景」,終而創構了一對〈虛境蘊美與三象造境〉之「優美絕配的美學命題」。三為總結義意──例如它圓善了王昌齡之「詩有三境的識境缺項」、完融了王國維之「造境概念的具體造法」。四即歷史義意──它是歷史性的創構,言前人所未言,開出了中國「意境美學和虛境美學」之概念的「全幅格局」。五是現代義意──它古今通慣、中西融合、科際滲透、以及知行互進。 「虛境蘊美」關涉「三象造境」;「三象造境」即「客體物象、主體意象、和「人文興象」的「交融意境」;客體物象生於客體虛境,主體意象生於主體虛境,人文興象生於人文虛境。「客體虛境」關涉表層、淺層、深層、形上、和價值等虛境。「主體虛境」關涉靈性層域、意識層境、和本能層域。「人文虛境」關涉客體審美、文藝品析、科哲思辨、和專究虛境等。「交融虛境」經由「三象造境」而為象內之象、象外之意、境中之意。「境外虛境」關涉「氣之審美」和「道之審美」。「虛境體用」包括虛境境體、虛境體證、虛境應用、和虛境教育。 依是,則虛境美學之學科概念因而創構,虛境美學之學科建構亦指日可待,而人類心靈之無限超越的深度願景亦期期可盼焉。
      "The Vacant States of Mind was Conceived the Sense of Beauty by Three Images"was researched for the purpose of promulgating that the human mind should be infinite in all directions. Later it was undertaken by the high-level-mind where moral and knowledge were practiced and progressed. And accept to transcend the limits of one-self into the cum-stance of life, the cum-stance of liberal arts, the cum-stance of the appreciation of beauty, and the cum-stance of mind. So, trying to create a poetic concept of "aesthetics of the vacant states of mind" should be the first object in forever establishing it as an academic subject. The vacant states of mind has five meanings: pure-Dao, creation, conclusion, history and modern。 "The vacant states of mind was conceived the sense of beauty" is composed of three images: the matter-image to the object, or the relationship of the vacant states of mind to the object; the meaning-image to the subject, or the relationship of the vacant states of mind to the subject; and the sense-image to liberal arts, or the relationship of the vacant states of mind to liberal arts. The vacant states of mind to the object describe such vacant states as the surface, the shallow, the depth, the metaphysic, and the axiology. The vacant states of mind to the subject describes such vacant states as the vertical tier of spirit, the conscious, and the instinct. The vacant states of mind to liberal arts describes the appreciation of beauty, criticism and creative hermeneutics of literature and arts, thinking and differentiation of science and philosophy, and exploration of specialties or techniques. The vacant states of mind to the interaction by way of three images, while establish the meaning and poetic state, therefore, to turn into the image of the inside image. The out-state of the vacant states of mind has relations with the meaning of the outside image, such as appreciation of the "spirit", or appreciation of the "Dao". Otherwise, the vacant states of mind should be tasted and applied. That we can say, the concept of Aesthetics of the vacancy states of mind should be established, and an academic subject of "aesthetics of the vacant states of mind" could be established soon. Therefore a deep desire of the human mind should be true and infinite in all directions.
    顯示於類別:[生死學系(生死學系碩士班,哲學與生命教育碩士班)] 博碩士論文-哲學與生命教育碩士班

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