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    題名: 鄧雨賢音樂的時代風格與意涵
    其他題名: The Era Style and Implication of Yu-hsien Teng's Music
    作者: 溫賢吟
    Wen, Hsien-yin
    貢獻者: 美學與藝術管理研究所
    陳泓易
    Hung-yi Chen
    關鍵詞: 時代風格;意涵;台灣歌謠;鄧雨賢
    Implication;Taiwan's folk;Era style;Yu-hsien Teng
    日期: 2007
    上傳時間: 2015-08-06 13:47:56 (UTC+8)
    摘要:   鄧雨賢被稱為台灣的福斯特,也是台灣第一位被塑立銅像的音樂家。他的經典名曲:四季紅、月夜愁、望春風、雨夜花令人琅琅上口,已傳唱一甲子之久,優美旋律的背後,在當時或者現在,它各自隱含或意味了些什麼?在歷史淵源裡,鄧雨賢音樂是最初的台灣流行歌謠代表作之一,而他所處的時代也正是台灣藉由日本殖民國的明治維新腳步,邁向文明,進步的一個關鍵背景,台灣在此時期同時經歷被殖民與近代化,這種夾雜負、正兩面的影響,在現今解讀下仍充滿了複雜與曖昧。而後,國府播遷來台,強制的語言與其他政策,是另一番文化典範的移轉。解嚴與政黨輪替之後是另一波新景象與契機。而儘管時代風格改變,但鄧雨賢的舞台始終存在。    本論文第一章為緒論,第二章為日治時期的社會政經文化背景,第三章談鄧雨賢生平、作品分期以及當時傳媒環境及新文化運動對他的影響,第四章探討鄧雨賢傳世名曲:四、月、望、雨的音樂文本。第五章展開關於光復後鄧雨賢音樂的傳承與再現,第六章為結論與建議。論文主軸以時代背景及社會變遷為書寫角度,觀看時代風格如何造就鄧雨賢的音樂;再由鄧雨賢本身及其代表作品的美學詮釋不同時空場域透露或再現的音樂意涵。
      Yu-hsien Teng is one of the pioneers of Taiwan’s folk composers. He composed many famous songs including Craving for Wind of Spring, Moonlight Sorrow, Song of a Spring Night, etc. It has been sixty years after Yu-hsien Teng died. Why can his songs still be memorized today? How do the phenomena happen and last until today? In the past, several scholars have done researches about Teng’s song analysis. However, the reasons for why his songs are memorized are still not clear.    In this research, the era style and implication of Teng’s music was studied and analyzed. Through the era style and implication of Teng’s music, the reasons for the above phenomena were known better and more clearly than before. First of all, social, political, and educational situations in the era of Teng’s music were studied. Then Teng’s living history and how contemporary media environment influenced him were studied and analyzed. His four most famous songs were then discussed for their content meaning and melody meaning. Then the reasons for why his songs are memorized were discussed. Finally, the conclusions were made and some suggestions were proposed.
    顯示於類別:[視覺藝術與設計學系] 博碩士論文

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