南台灣土地公神像帽冠造形研究

南華大學機構典藏系統 > 藝術與設計學院 > 產品與室內設計學系 > 博碩士論文 > Item 987654321/22944

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題名:	南台灣土地公神像帽冠造形研究
其他題名:	A Study on the Form of Tu-Di-Gong's Headgear in Southal Taiwan
作者:	邵于婷 Shao, Yu-tng
貢獻者:	應用藝術與設計學系碩士班林振陽 Jeen-yang Lin
關鍵詞:	造形;土地公;帽冠 headgear;Tu-Di-Gong;form
日期:	2007
上傳時間:	2015-08-07 15:09:47 (UTC+8)
摘要:	島國臺灣以農立國，對土地的感情深厚，因而掌管土地之神祇土地公備受人民尊崇，供奉土地公的廟宇數量，為全臺之首。宗教的發展，衍生出各式宗教藝術，而神像帽冠的裝飾更是臺灣獨特的文化表現。本研究中利用文獻調查法探究土地公神像帽冠來源，實地至台灣南部三縣市（台灣、高雄、屏東）進行田野調查，研究分析其帽冠呈現形式上之異同，並透過比較分析及描述性統計，探討帽冠間裝飾元素的出現頻率。　　　研究發現，神明帽冠與中國傳統戲曲帽冠相似，兩者皆來自於傳統帽冠改良並誇飾而成。土地公帽冠為傳統相帽造形，裝飾圖案多以九龍雙鳳、雙龍搶珠、雙龍護塔、避邪鏡、王字牌等吉祥圖案做為裝飾，雙龍護塔及雙龍搶珠的出現率頻繁，佔七成以上。而帽冠的產生與發展與台灣當時社會關係密切，台南帽冠延續古法製作，種類樣式繁多，帽冠材質多元，而高雄帽冠形式較一致，變化不多，屏東帽冠樣式亦多，但材料與高雄帽冠材料皆以合金為主。在製作方面，合金材質逐漸取代傳統紙材，並以照相顯影技術為多，傳統凸紋技法漸漸消失。裝飾華麗的帽冠不但表現宗教上的意涵，更含括了戲劇、中國傳統吉祥圖案及皇室貴族的帽冠形式。　　Taiwan is an island nation where people live on agriculture, and have deep emotion to this land. Therefore, Tu-Di-Gong who manages the land is respected by the followers, and followers build maximum temples in Taiwan. Because of the development of religion, varieties of religion’s arts are derived, and the deity headgear decoration be the most unique symbolize in Taiwanese culture. This study is concluded the source of Tu-Di-Gong’s headgear by using literature review, analysis-comparison and descriptive statistics to compare the deference between three counties’ headgears of Tu-Di-Gong.　　　After investigating I get some conclusions that the deity headgears are similar to Chinese traditional drama headgears, those both reform and exaggerate the ancient royal headgear. Tu-Di-Gong’s headgear keeps traditional shape and decorates with nine dragons and a pair of phoenix, a pair of dragon with a pearl, a pair of dragon with a pagoda, a ward-off-evil mirror, a tablet of Wang , and so on. Especially pair of dragons with a pearl and a pair of dragons with a pagoda appear frequently; these occupy more than 70%.　　　The appearance and development of headgear was related to Taiwan’s society at that time. The making skills of headgears in Tainan follow traditional methods and develop varieties of styles and materials. The forms of Kaohsiung’s headgears are quite similar as Tainan’s, and so are Pingtung’s. However Pingtung’s are used much alloy as the material. In making aspect, alloy is now often used in the place of traditional cardboard, and more headgears are used photoengraving instead of traditional skill. Nonetheless the headgear decorates with gorgeous adornments is not only a symbolic in religion, but also a combination of drama, traditional Chinese auspicious patterns and royal headgear's form.
顯示於類別:	[產品與室內設計學系] 博碩士論文

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