女性眷村文學記憶圖像之形塑

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Title:	女性眷村文學記憶圖像之形塑
Other Titles:	The Study of the Cognitive Mapping in the Feminine Military-Dependent's Village Literature
Authors:	周莉菁 Chou, Li-ching
Contributors:	環境與藝術研究所郭建慧 Chien-hui Kuo
Keywords:	文本再現;文學景觀;離散思維;記憶圖像 diasporas studies;cognitive mapping;collective mapping;reproduction of text
Date:	2006
Issue Date:	2015-08-07 15:30:02 (UTC+8)
Abstract:	空間不僅承載著具體的人事物，主體的欲望與記憶等印記也溢滿每一特定的空間；文學文本常具有空間的語境敘述，因此文學可被視為是產生空間的工具，具有繪製記憶的功能。空間可以是實存的地理位置，是家，是國也可以是文本，身體，以及文化空間。空間化為符號，記錄著不同時空中的歷史與文化情境，譬如都市中的眷村區域，雖然地處同一都會空間，其所形塑之社區之特殊文化，卻分別具備不同的文化寓意、價值、及情感。而這些空間的意象在文本（text）中透過語言文字與影像的再現（representation）之後，明顯展現出不同空間、不同主體的屬性認同。　　　研究的中心問題有二：一、探究主流眷村作家所書寫的眷村封閉空間，在國家機器與眷村居民自我意識的交互影響下，文學中所呈現的精神圖像？　二、眷村居民如何從早先的文化優越意識，快速地沉入「邊緣感」與「被驅逐焦慮」，進而引發抵抗遺忘，建構眷村的記憶書寫？　　　以下各章分別以蘇偉貞、袁瓊瓊、朱天心與朱天文四位女作家的作品，依主題分析1970 年代、1980 年代、1980 年代末至1990 年代初（解嚴前後）、1990 年代的文學書寫下的眷村。　　　全文結構主要分為三部分：第一部分，聚焦在文學家所記憶建構的眷村，在特定歷史、空間下的所形塑的（collective mapping）文學景觀。　第二部分，在眷村空間環境相關研究基礎下，解讀眷村移民之離散思維如何藉由文學語境，陳述肉體離散與心靈離散。　第三部分，基於上述二部分的陳述，勾畫出小說中對眷村移民土地的認同，由新故鄉的生活書寫，到被邊緣化的異域鄉愁的轉變。　　　透過記憶回溯主要敘事場景：眷村是因戰亂所形成的新移民社區，因鄉土認同、家國想像、生活記憶不同，而所造成半封閉的地理、人文特有文化特質與空間經驗以及里鄰關係。本研究藉由眷村小說文本，除從文本中閱讀眷村空間，並從這些描述的記憶圖像中，閱讀已消逝的空間。　　The dimensional space does not only bear the physical world around us as the human emotions and memories of the subject also fill specific realms. A literary text usually has the ability to draw out memories and contains emotion that is able to describe and create a space thus literature can be seen as a tool for the creation of a new space. Space can exist as a geological place, home, country or texts, body and cultural spaces. As a symbol, space records different time-space’s culture and history, like the military dependents' villages that layer in cities sharing the same geological space but the special culture that evolves from the two communities possesses different cultural meaning, values and feelings. They are comparable as in texts; these abstract visions of different spaces are recreated through the language and an illustration which shows a significant difference in realms and the acceptance of the subject’s attribute. 　　　There are two central questions:One: to analyze main stream military dependents' village writer’s way of describing the semi-enclosed space, how to represent the spirit symbol between the subject and the country in the literature? 　Two: how would the subjectivities of the villagers change from the early cultural superiority to the feeling of being on the edge and the worries of banishing, thus triggers the fight to be remembered by creating the writing of memoirs of the military dependents' village.　　　The following chapters will analyze the literatures on military dependents' villages by the female authors (We-jen Su, Jun-jun Yun, Tien-hsing Ju and Tien-wen Ju) from the time period of 1970, 1980, late 1980s to early 1990s and 1990s.
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