| 摘要: | 台灣的社區營造，從1994年提出，至今已經邁入第二十一個年頭最早引用日本的造町概念、以及英國的社區建築與美國的社區設計，而有「社區總體營造」的政策，開始推動至今，社造廿年中，社區劇場是社區發展的策略；因此必須符合社區文化認同的目標，而社區劇場也因為具備建立社區文化特色的內涵，因此成為落實社區營造與有效吸引社區居民參與的途徑。 嘉義市推動社區劇場已經進入第八年。在這八年中，北湖社區發展協會與新馨社區關懷營造協會以及白沙王文化協會，在嘉義市文化局的鼓勵與協助下，紛紛成立社區劇場，這些年來，這三個嘉義市各具不同文化特色的社區劇場，也發展出風格迥異的劇場特色。 本研究以質性研究法為主，透過深度訪談法，文獻分析法、個案研究法以及次級資料的蒐集，探討北湖社區發展協會社區劇場與新馨社區關懷營造協會社區劇場以及白沙王文化協會社區劇場。在社區劇場成立背景、社區劇場發展概況、地方文化認同提升、文化特色差異以及未來發展上的差異，做進一步分析與歸納，並試著提出未來發展建議，期望做為供這三個社區劇場未來發展的規劃參考。
Since 1994, Community development in Taiwan has entered into 21 years. Its derived from the concept of making machi in Japan, the community architecture in the United Kingdom, and community design in the United States. A policy of ＂Comprehensive Community Development＂ was thus established. In the post 20 years, community theater was a community development strategy, so it had to comply with the target of cultural identity in the community. Besides, community theater had connotations of community cultural characteristics, thus it became the pathway of implementing community development and an effective way to attract community residents’ participation. Chiayi City has promoted community theaters for eight years. During this period, Bei-Hu Community Development Association, Xin-xin Community Care Association, and Bai- Sha-Wang Cultural Association had set up community theaters in accordance with the encouragement and assistances of Cultural Affairs Bureau, Chiayi City. Over these years, each of these three community theaters, had their own diverse cultural characteristics, and had also developed different performing styles. Qualitative research method was adopted in this research. Through depth interviews, document analysis, case studies and secondary data collections, this research has explored background, development situation, the local cultural identity enhancement, cultural differences and characteristics of future development of these three community theaters. In addition, this research tried to provide references for future research. |
