面對建築討論美學是建築學的知識論根基，以空間美學的角度直接切入，對於現代性發展下建築專業的認知，可以發堀在材料、構造、設備、結構的技術工具的美學困境。從現代性全球化進展，可以引用地理形勢、人類學式物質文明、都市化社會生活方式、神聖與世俗構築、商品化世界等解構又重構現代建築的設計美學。由「空間美學的批判」到「重返現代建築的美學脈絡」，理解知識論與現實脈絡，提出「現代建築的美學」，並且分析其美學框架（frame)。現代性社會發展下，明顯地「設計場域」（Field of Design)取代「藝術場域」（Field of Art)的固有疆域，設計與消費的共謀，使得當代消費文化奠基於設計場域。由於設計介入了經濟、社會眾多場域，它也制定未來的可能前景，正是其美學影響力之所在。 As far as the discussion of architecture is concerned, aesthectics is the foundation knowledge. With the acknowledge of architecture profesion from the perspective of spatial aesthetics, the dilemma from the material, construction, equipment, structure of the technical tools can be discovered. We can deconstruct and reconstruct the design aesthetics of modern architecture by the geographical form, anthropological material civilization, urbanized social life, sacred and secular construction, commercialized world and so on from the progress of modern globalization. This essey attempts to propose ＂aesthetics of modern architecture＂ and to analyze its aesthetic frame by understanding the theory of knowledge and reality from the chapters ,＂criticism of spatial aesthetics＂ to ＂the return to the aesthtical context of modern architecture. ＂ It is obvious that the ＂Field of Design＂ replaces the inherent territory of the ＂Field of Art＂ under the development of modern society and it also acts as the foundation of modern comsuption culture. As the design involved in the economic, various social fields, it develops future prospects and it is exactly the aesthetic influence lies.
