南美洲的巴西作曲家維拉－羅伯斯是對巴西音樂最具影響力的作曲家之一，他最廣為人知的音樂作品是九首《巴西風巴哈組曲》（Bachianas brasileiras），但有關他學習音樂的坎坷路程還有他創作的鋼琴曲目《花組曲》則是較少為人所知的部分，因此筆者想藉由探討維拉－羅伯斯這位巴西作曲家的音樂學習路程及他創作的鋼琴曲《花組曲》來深入暸解維拉－羅伯斯《花組曲》的創作背景及其往後對維拉－羅伯斯的作品與巴西的影響，以此研究來增加筆者對這首樂曲與作曲家的認識，以便在音樂會中能夠更好的詮釋這首樂曲。 The Brazilian composer Heitor Villa-Lobos is one of the most influential composers on Brazil music. ＂Bachianas Brasileiras＂ is probably his most well-known work, his piano work ＂Suite Floral＂ is rather unknown. This research is a study of ＂Suite Floral＂ in examining his compositional techniques and characteristics, for a better understanding of his style and trends. And furthermore, by reviewing his learning path to perceive the significance of his music, and how Villa-Lobos's music affect other Brazilian composers in future generations. This study is a review of ＂Suite Floral＂ and hoping to help the interpretation of the ＂Suite Floral＂.
