本文主要考察《文心雕龍》「文評論」中「情文相應」之詮釋結構。透過引入「詮釋循環」這樣的概念，對於〈時序〉、〈物色〉、〈才略〉、〈知音〉與〈程器〉等五篇所共構之詮釋視域進行討論，以〈知音〉篇之論述為支點，依據「情以物遷」與「辭以情發」等兩個階段，相對分為「外在環境之詮釋結構」與「主體情性之詮釋結構」等兩個層次。如此環環相扣，從社會母體到創作主體，再到文本主體而接受主體不斷循環，遂成為了一種《文心雕龍》「引道入文」，藉由「情文相應」之理念，將「道」之理體貫徹為文本寫作，而文本寫作又呼應「道」之理體以作用於社會母體之理論完型。 This article mainly examines Interpret structure of The ＂Literature Mind: Elaborations＂, By introducing the concept of ＂hermetuistic cycle＂, Discussion on the interpretation horizon of literary criticism theory, Taking the discussion of the ＂Ideal Readers＂ as the fulcrum, according to the two stages of ＂emotion is influenced by foreign objects＂ and ＂text is based on emotions＂, it is divided into ＂interpretation structure between external social matrix and textual subject＂ and ＂creation Two levels, such as the interpretation structure between the subject and the text subject. Attempt to Decode the Interpretation System in Literary Criticism Theory.
