南華大學機構典藏系統:Item 987654321/27398
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    NHUIR > The Journals of Nanhua University  >  >  Item 987654321/27398
    Please use this identifier to cite or link to this item: http://nhuir.nhu.edu.tw/handle/987654321/27398


    Title: 星雲大師《無聲息的歌唱》的創作趨力與革新思想
    Authors: 黃素娟
    Contributors: 南華大學文學系碩士班
    Keywords: 星雲大師;無聲息的歌唱;法物;革新;人間佛教
    Date: 2019-07-01
    Issue Date: 2020-04-20 14:23:26 (UTC+8)
    Publisher: 南華大學文學系
    Abstract: 《無聲息的歌唱》是星雲大師第一本著作,介紹佛教的二十種文物,在雜誌上刊登時稱作「物語」,結集成書後名為《無聲息的歌唱》。星雲大師1949 年隨著僧侶救護隊來臺,最初落腳於苗栗山區看守山林,夜晚則在窄迫的草棚內寫作。相較於佛光山目前海內外道場三百餘處,所興辦學校自幼稚教育至大學十數所,及其他無數弘法事業的宏大規模,星雲大師最初伏身草棚的身影是蘊含何等的力量?本文欲從星雲大師此最初的創作,來討探其創作背景意涵及所批判的重點,與對佛教的期望,一則期能對星雲大師初抵臺灣時的境遇有更深層的了解,再則嘗試以更廣的視角,來解讀此書的思想內蘊,最後則略探《無聲息的歌唱》所提出的佛教革新方向如何在佛光山逐步實踐。
    Relation: 文學前瞻
    19期
    Appears in Collections:[The Journals of Nanhua University ]
    [Department of Literature]

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