本研究旨在以《文心雕龍》全書五十篇為研究對象，建構出《文心雕龍》的創作體系。藉由「文論原則」、「創作方法」與「期待效應」三方面的探究創作體系。「文論原則」掘發出創作體系之價值本源為「道」，可知劉勰認為具正情正理的文學內容才有益國計民生；而載道本原的文本與價值本原的「道」應具「道」先而「文」後的「自然生發原則」；「創作方法」架構出創作行為者的才氣學習與情性之間對創作的影響，使複製理想作者成為可能；而創作法應由內容之貫一主導，配合形式的使用，具有「相應原則」與「新變原則」，讓作品兼具內容與形式，更將創作之法系統化；最後的「期待效應」藉作者心中的隱藏讀者之期待，再次具體說明文學的內容與形式要求，建構出架基在「情－采」上的創作體系。 The purpose of the study is to construct the author's creation system of Wen Xin Diao Long with 50 chapters of Wen Xin Diao Long as the research object. The study is explored in terms of the three aspects－the principle of the literary theory, the creation method and the expectation effect. In the first aspect, the principle of literary theory advocates that the value of the creation system is ＂Tao＂. It can be seen that Liu Wei believes that the literary content of positive emotions and positive thinking is beneficial to the national economy and the people's livelihood. Besides, the original text with Tao and the ＂Tao＂ existing in the value of the text should follow the principle of natural occurrence－Tao should precede rhetoric. As to the aspect of creation method, it constructs the influences that caused by the author's talents, temperament, acquirements, and personality, which makes it possible to create an ideal author. Moreover, the creation method should be led by the united content cooperating with the use of the forms and composed of ＂the corresponding principle＂ and ＂the updating principle＂, which makes the literary works compose of both the contents and the forms and makes the creation method systematic. Finally, it comes to the aspect of the expectation method, which once again specifies the requirements of the content as well as the forms and constructs the creation system based on ＂Ching＂ and ＂Tsai＂.
