觀世音菩薩是變化最為豐富的一位菩薩，在中國歷史上，觀音菩薩的繪畫風格常以不同形式呈現在大眾面前，觀音信仰的體系，在中國所依據不同的佛典文獻系統，所呈現出來的觀音菩薩形象與思想也不同。 本論文以觀音菩薩圖像為創作，與現代佛教思想的轉化作為連結，以「相．像－賴奕淨觀音繪畫創作研究」，藉著東西方繪畫技法的融合，在閱讀大量相關觀音菩薩圖像及經典，配合視覺藝術的觀看理論與省思，達到觀音畫像與現代佛教的契合。 Guan Yin Bodhisattva takes one of the most variety forms of Bodhisattva. In Chinese history, Guan Yin Bodhisattva has been presented into different forms and styles for the public views. In China, different sect of Buddhist system was recorded, therefore, Guan Yin Bodhisattva also has different images and ideologies. The creation of this thesis is based on the connection between Guanyin Bodhisattva's image and the transformation of modern Buddhist ideology.Title of thesisis' Characteristic and Image: Research on Yi-Ching Lai's Guanyin Painting Creation through the combination of Eastern and Western painting techniques. After a long research of Guan Yin Bodhisattva's image and classic Guan Yin Bodhisattva through literature, the researcher has insight through visual art to achieve the gap between the Guan Yin portraits and modern Buddhism. It is divided into five chapters. The first chapter is the introduction, describing the research motivation and purpose, the research methods and steps. The second chapter is the literature discussion, exploring the images, beliefs and modern creations of Guanyin Bodhisattva. The third chapter is the researcher's creative's concept and analysis. The fourth chapter is the interpretation of the researcher's works, and the fifth chapter is based on reflection, rethink of the creation and direction.
