星雲大師《無聲息的歌唱》研究

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Title:	星雲大師《無聲息的歌唱》研究
Other Titles:	The Study of Venerable Master Hsing Yun's ＂Bells, Gongs and Wooden Fish＂ (＂Wushengxi de gechang＂)
Authors:	黃素娟 HUANG, SU-CHUAN
Contributors:	文學系陳章錫 CHEN, CHANG-HSI
Keywords:	書寫風格;無聲息的歌唱;人間佛教;星雲大師;修辭＂Bell, Gongs and Wooden Fish＂;Humanistic Buddhism;Venerable Master Hsing Yun;writing style;rhetoric
Date:	2019
Issue Date:	2022-04-29 13:55:52 (UTC+8)
Abstract:	《無聲息的歌唱》是星雲大師的首部著作，文章在佛教雜誌上發表時稱「物語」，篇名作〈大鐘的話〉、〈佛珠的話〉、〈香板的話〉等等，主要介紹佛門裡常見的器物，再則藉古諷今以反映當時佛教現實與弊病，三者傳遞佛門常識與佛法義理。此書蘊涵大師早期的思想與對佛教的抱負，是很值得研究的作品。　　本論文以《無聲息的歌唱》為研究對象，探討此書之思想內容與文學表現。第二、三章著眼於思想內容，第二章探討此書的創作趨力與革新思想，及人間佛教思想的啟發。第三章先分析書名所蘊含的哲理，次從所引經文典故探討其中所蘊含的無常、慈悲及業果觀念等佛法義理，後歸納此書所關注的議題，如何以人間佛教思想為主導，順應現代人的需求而作調整。　　第四、五章著眼於此書的文學表現。第四章解析此書的敘述特色有：夾敘夾議直抒本懷、講究前後呼應、善以幽默曲折說理；歸納出較明顯的書寫風格為：善用短句轉換情節、運用對比凸顯觀點、設計對話增廣視角等三項。第五章研究此書修辭藝術，先舉例說明擬人法在中國文學中的運用，再列舉書中示現、摹寫、借代、象徵、設問、排比等修辭技巧。　　第六章歸納全篇重點：以佛教革新為創作趨力，並啟發人間佛教思想；從書中豐富的用典與所彰顯的佛法義理，可見星雲大師欲以新思惟來傳遞佛教思想；就書寫特色與修辭技巧以顯明此書的文學表現。　　透過研究發現，從《無聲息的歌唱》可了解星雲大師人間佛教思想的起源與佛光山宗門思想的連貫，和大師的佛法思想及所展現的文學內涵，值得欲研究大師的思想理論與文學成就者關注。　　＂Bell, Gongs and Wooden Fish＂ is the first work of Venerable Master Hsing Yun. The article was called ‘Monogatari’ , traditional Japanese literature, when published in a Buddhist magazine, and the masterpieces were ＂Words of the Big Bell＂, ＂Words of the Rosary＂, ＂Words of the Incense Board＂, etc. One introduces the common artifacts in Buddhism, and then uses ancient sarcasm to reflect the reality and disadvantages of Buddhism at that time. Furthermore, he delivered common knowledge of Buddhism and core teachings of the Buddha. This book contains the thought of the Grand Master and ambitions for Buddhism at his early time, and is a work worth of researching.　　This dissertation uses ＂Bell, Gongs and Wooden Fish＂ as the research text to explore the ideological content and literary performance of the book. The second and third chapter focuses on the ideological content, and the second chapter explores the book's creative trends and innovative ideas, as well as the inspiration of Humanistic Buddhism. The third chapter first analyzes the philosophies contained in the title of the book, and then discusses the core teachings of Buddhism, such as impermanence, compassion, and the concept of karma from the quotation or story of scriptures. At last, it summarizes some topics of concern in this book, and adapts to the needs of modern people.　　The fourth and fifth chapters focus on the literary performance of this book. The fourth chapter analyzes the book's narrative features, express the facts and arguments in a proper way which includes before and after, it makes good uses of humorous and tortuous to argument. Addionally, it summarizes writing styles obviously, as following, it also make good use of short sentences to transform the plot, and contrast to highlight the point of view, and the dialogues to broaden perspectives. The fifth chapter studies the art of rhetoric in this book. It first illustrates the application of anthropomorphism in Chinese literature, and then enumerates rhetorical skills such as manifestation, transcription, borrowing, symbolism, questioning, and parallelism and so on.　　The sixth chapter summarizes the key points of the whole article. It takes Buddhist innovation as the creative force and inspires the thought of Humanistic Buddhism. The rich use of story and dharma doctrines revealed in the book. It can be seen that Venerable Master Hsing Yun wants to convey Buddhist thoughts with new ideas. He focuses on the writing characteristics and rhetoric skills to show the literary performance of the book.　　This research found the origin of the Humanistic Buddhism of Venerable Master Hsing Yun and the continuity of thought of Fo Guang Shan Buddhist Sangha. The master's dharma thoughts and the literary connotations they reveal deserve the attention of those who want to study the master's ideology and literary.
Appears in Collections:	[Department of Literature] Disserations and Theses

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