| 摘要: | 台灣原住民族群的歌謠都有其獨特而脈絡性的意義，而各類祭典也都有其獨有的音樂傳統。筆者本身為鄒族人，在投入自身族群音樂文化的學習與研究過程中，經常發現同一首歌曲在不同的演唱者表達之下，會讓一首歌曲有不同層次的感覺呈現出來。基於這樣的經驗，於是想進一步探討鄒族的歌謠與與現代音樂元素融合的可行性，並運用碩士課程所學，分析鄒族歌謠的演唱技巧與風格，藉著畢業音樂會的具體實踐，將鄒族歌謠以及中文民族聲樂曲，在音樂會當中做一個比較與融合的嘗試，以呈現個人在民族聲樂以及推廣展族群音樂上的一點學習心得。 報告內容共有五個章節，第一章緒論，包含動機與目的、範圍及方法、音樂會計畫書。第二章為文獻探討，本論文探討的文獻有鄒族文化、鄒族歌謠的發展現況、以及來吉部落鄒族歌謠的發展現況。第三章音樂會的展演與分析，為筆者畢業音樂會中演唱的曲目的樂曲分析及詮釋說明。第四章為塔山之歌曲式分析，包括：第一節的塔山之歌背景介紹，第二節的代表性演奏團隊資料蒐集分析，第三節則是筆者演唱「塔山之歌」的表現手法。第五章為研究結論與建議，除了總結筆者研究之外，也提供未來可能繼續研究可能與方向的參考。
The ballads of the indigenous people in Taiwan have their own unique and contextual meanings, and all kinds of ritual ceremonies have their own unique musical traditions. I am from the Cou ethnic group. In the process of learning and investigating the music culture of my country, I often found that the same song is expressed by different singers, which will make a song have different levels of feeling. Based on this experience, I wished to further explore the feasibility of integrating Cou ballads with modern musical elements, and analyze the singing skills and styles of Cou ballads. Through concrete practice for the graduation concert, I tried to compare and integrate Cou ballads and Chinese folk vocal music in the concert to present my learning experience in ethnic vocal music and ethnic group music promotion. This thesis spans five chapters. The first chapter is the introduction, which includes the motivation and purposes, scope and methods, and plan for the concert. The second chapter is the review of references, which includes articles on Cou culture, the development status of Cou ballads, and the development status of Cou ballads of Laiji Tribe. The third chapter, which describes the performance and analysis of the concert, includes the music analysis and interpretation of songs sung in the graduation concert. The fourth chapter is the analysis on the musical form of The Song of Tashan, including three sections: The first introduces the background of The Song of Tashan, the second collects and analyzes data from representative performance teams, and the third describes my expression methods in singing ＂The Song of Tashan.＂ The fifth chapter presents the research conclusions and suggestions which not only summarize my research, but also provide a reference for the possibility and directions of future research. |
