本文以「金庸射鵰三部曲中殘缺敘事及其世界觀」作為論題，藉此將作品與思想做一致性的討論。殘缺敘事為針對金庸小說主角與敘事結構上特有之共性提出的概念，具體而論，殘缺於人物層次上意指一種狀態，在結構上則屬於一種階段。透過殘缺敘事命題的提出，對射鵰三部曲的文本結構做出更具深度和一致性的分析，而所分析出的架構，將作為探討世界觀的基礎。 世界觀的概念源於高德曼 (Lucien Goldmann)的發生論結構主義，藉由將文本劃分為兩種不同的對立結構，藉以探討敘述主體於文本中所肯定的意識形態，這樣將文本與敘述主體之思想連接在一起的分析方式，能更有脈絡的探析作者與文本間的關聯，而非將文本與作者分別而論，導致作者與作品間因果關聯較不明顯。 希望透過殘缺敘事與世界觀的提出，找尋金庸作品中不變且一致的敘事主導原則，並從敘事學的基礎上，探尋金庸的美學思想以及意識形態，作為日後金庸研究的基礎，使「金學」更加完整且豐富。 This article takes “the incomplete narrative and its worldview in Jin Yong's shooting and carving trilogy” as the topic to discuss the works and thoughts in a consistent manner. Incomplete narrative is a concept proposed for the unique commonality between the protagonist and narrative structure in Jin Yong's novels. Specifically, incomplete narrative refers to a state at the character level, but belongs to a stage in the structure. Through the presentation of incomplete narrative propositions, a more in-depth and consistent analysis of the textual structure of the shooting and carving trilogy is made, and the analyzed structure will serve as the basis for exploring the worldview. The concept of worldview originated from Lucien Goldmann's genetic structuralism. By dividing the text into two different opposing structures, it explores the ideology affirmed by the narrative subject in the text, thus combining the text with the narrative subject The analysis method of connecting the thoughts together can analyze the relationship between the author and the text in a more context, rather than separately discussing the text and the author, resulting in a less obvious causal relationship between the author and the work. It is hoped that through the incomplete narrative and worldview, the unchanging and consistent narrative principle in Jin Yong's works will be found, and Jin Yong's aesthetic thought and ideology will be explored on the basis of narratology, which will serve as the basis for the future study of Jin Yong and make “Jin Xue”More complete and rich.
