| 摘要: | 街屋「面」起源於日治時期，受當時引進歐洲現代化城市的街道建築形式影響，街屋的立面主要由三向度改變爲二向度，此作法不僅與台灣傳統建築的理念不同，營建方式也因而有所差異。 而在經過殖民文化的洗禮後，街屋立面的形式也成爲都市重要的街道景觀，時至今日仍依然呈現在街屋的立面上。戰後，台灣建築的發展與街屋的外觀形式一度呈現滯空期，但在新的文化潮流與本土的文化思維交融下，忠實反映出當時的時代背景下建築思潮與社會結構的演化過程，並呈現出不同以往的生活美學與藝術體現。 本論文主要研究對象爲戰後至1980年代間的街屋立面形式，在每個時期的建築外觀立面上，也反映出當時代最具有代表性的美學思維。此外街屋的立面不再以精緻且豐富的裝飾來表達，而是更强調本身的功能性質。 街屋的立面風格、結構形式與使用者的需求都有著密不可分的邏輯性，因此本研究的主要構架以分割的形式、設計手法、表面材料的使用…等進行探討與分類，並從中以時代流行和社會背景組合中，尋找出當代的「時代容顔」，試圖利用個人視角歸納出建築立面呈現的形式，以拉近對戰後至現代街屋外觀立面發展過程之體認。
The meaning “face” of shop-houses was an influence and introduction from the architectural forms of modern European streets during the period of the Japanese colonial era. The facade of shop houses was changed from three-dimensional to two-dimensional, which is not in line with traditional Taiwanese architectural philosophy, construction methods are therefore different. After the baptism of colonial culture, the facade form of shop-houses had become an important urban landscape, and it is still present on the shop-houses currently. Since Taiwan's recovery, the development of architecture and shop house has been in a period of stagnation, so that there comes a breakthrough in forms. In addition, these forms merge with the local culture, it reflects the evolution process of local architectural thoughts and social structure faithfully, presenting a different expression of art and life aesthetics. The research focuses on the facade form of shop-houses from the post-war period to the 1980s, the architecture of each period may reflects the aesthetic significance of its era. Furthermore, the facades of shop-houses no longer use exquisite and plentiful decorative gestures, but emphasize functionality, facade style, structural form, and user's needs are inextricably linked logically. In line with the above, this research mainly discusses segmented forms, design techniques, surface materials, categorizes structures, etc., from which the trend of the times and the combination of social backgrounds are searched to show the “appearance of the times”. Ultimately, attempt to use personal perspective to establish the form expression of the building facade, and to draw closer to the development of modern shop-houses after the war. |
