鏤空技法應用於陶瓷藝品之研究

NHUIR > College of Arts and Design > Department of Product and Interior Design > Disserations and Theses > Item 987654321/28864

Please use this identifier to cite or link to this item: http://nhuir.nhu.edu.tw/handle/987654321/28864

Title:	鏤空技法應用於陶瓷藝品之研究
Other Titles:	Analysis of the Pierced Forming Technique Applied to Ceramic Art Product
Authors:	陳宥任 CHEN, YU-JEN
Contributors:	產品與室內設計學系鄭順福 CHENG, SHEN-FU
Keywords:	未完;待續;陶藝;鏤空;藝品 Unfinished;To be continued;Ceramics;Pierced Forming;Artwork
Date:	2021
Issue Date:	2022-08-18 11:36:42 (UTC+8)
Abstract:	本研究旨在探索陶土材料與鏤空技法的應用陶瓷藝品，探討土的性質與影響。利用文獻分析法，探討本創作之相關理論，依據陶瓷史並研讀與自我情感探索之相關文獻資料，以及陶藝創作，美學、藝術理論、造型研究等相關資料，建構出完整的學理基礎來加強論述的內涵與依據，再透過創作實踐法，結合學術理論與自身經歷，將創作過程加以記錄並分析，藉由相關藝術家在鏤空刻劃，線條造型等資料蒐集，進行「精神傳承」、「永恆的不變」、「夢想的延續」三系列的陶藝創作，並公開展演。　　This study aims to investigate the use of clay materials and hollowing techniques on ceramic artworks, and to explore the nature and influence of clay. To investigate the theories related to this creation by using the documents analysis method, and to establish a complete theoretical foundation to enhance the connotation and basis of the thesis based on the history of ceramics and the study of the documents related to the exploration of self-emotion and pottery creation, aesthetics, art theory, modeling research, etc. By combining academic theories and self-experience, the creative process was recorded and analyzed through the creative practice method. Through collecting information from related artists in skeleton drawing and line modeling, three series of pottery were created: “Heritage of Spirit,” “Timeless Immutability,” and “Continuity of Dreams,” which will be publicly exhibited.
Appears in Collections:	[Department of Product and Interior Design] Disserations and Theses

Files in This Item:

File	Description	Size	Format
109NHU00038005-001.pdf		10212Kb	Adobe PDF	171	View/Open
index.html		0Kb	HTML	289	View/Open

Loading...