反思角色創造的過程：從演出《意念》、《葬禮》與《另一半》談起

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Title:	反思角色創造的過程：從演出《意念》、《葬禮》與《另一半》談起
Other Titles:	A Reflective Process of Characterization in the Performances: Niyyat, The Funeral, and The Other Half
Authors:	賴美雅 RAFOL, MIA LEONOR
Contributors:	民族音樂學系馬銘輝 MA, MING-HUI
Keywords:	角色塑造;情境給予;調整和扮演;史黛拉艾德勒;表演技巧 Characterization;Given Circumstances;Justification and Action;Stella Adler;Acting Technique
Date:	2022
Issue Date:	2022-08-30 14:58:39 (UTC+8)
Abstract:	在戲劇中，在表演一個角色的人物塑造過程中進行不斷地反思，是一個屬於特別敘事的方式。作為一名戲劇表演者，本論文探討了我在以下戲劇中扮演三個不同角色的反思過： Niyyat 中的 Zulayka, The Funeral 中的 Rowena和The Other Half 中的 a Woman。我的角色塑造過程將以史黛拉艾德勒(Stella Adler) 的表演技巧為導引：a.）情境給予 b.）調整和扮演。本論文主要在研究我如何將這些表演技巧應用在獨特戲劇中角色塑造的反思過程。　　In theatre, characterization interconnects with the reflective process to perform a role belonging to a specific narrative. This thesis explores the reflective process of my characterization as a theatre practitioner during my performance in three distinctive roles in the following theatrical plays: as Zulayka in Niyyat, as Rowena in The Funeral, and as a woman in The Other Half. My characterization process will be guided by the acting techniques of Stella Adler: a.) Given Circumstances b.) Justification and action. This research aims to apply these acting techniques as guidelines in my reflective process of characterizing roles in distinctive theatrical plays.
Appears in Collections:	[Graduate Institute and Department of Ethnomusicology] Disserations and Theses

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