烏塔哈根表演技巧運用於劇作《意念》中法蒂瑪角色之詮釋

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Title:	烏塔哈根表演技巧運用於劇作《意念》中法蒂瑪角色之詮釋
Other Titles:	Uta Hagen’s Acting Technique in Portraying the Character Fatima of the Play Niyyat
Authors:	蘇妮亞 SOMOSA, DANICA ALABAN
Contributors:	民族音樂學系李雅貞 LEE, YA-CHEN
Keywords:	表演過程;烏塔哈根的表演理論;當代劇場和表演;飾演法蒂瑪 Acting Processes;Uta Hagen’s Acting theory;contemporary theater and performance;Play Niyyat
Date:	2022
Issue Date:	2022-08-30 14:59:06 (UTC+8)
Abstract:	本研究是筆者在劇作《意念》中飾演法蒂瑪的表演過程之反思和記錄；該話劇於2021年4月15日在台灣嘉義表演藝術中心首演。本研究透過個人觀察筆記、排練日誌、導演回饋記錄這場畢業製作的排練及演出，並且主要討論筆者如何運用烏塔哈根的表演理論在法蒂瑪的角色詮釋。這項研究將使那些在當代劇場和表演中探索個人表演過程的藝術家受益。　　This research is a reflection and documentation of my acting processes in portraying Fatima of the play Niyyat, which premiered at the Chiayi Performing Arts Centre in Taiwan last April 15, 2021. The discussion of acting technique draws from Uta Hagen’s acting theory in portraying the character of Fatima, self-observation notes, rehearsal records, and director’s commentaries. This research will benefit those artists who are exploring personal acting processes in contemporary theater and performance.
Appears in Collections:	[Graduate Institute and Department of Ethnomusicology] Disserations and Theses

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