李璐《致不在場的他們與遲到的我》之表現原型—以邱妙津、袁哲生、黃國峻為例

南華大學機構典藏系統 > 人文學院 > 文學系 > 博碩士論文 > Item 987654321/29664

請使用永久網址來引用或連結此文件: http://nhuir.nhu.edu.tw/handle/987654321/29664

題名:	李璐《致不在場的他們與遲到的我》之表現原型—以邱妙津、袁哲生、黃國峻為例
其他題名:	Some Archetypal Styles Expressed in Lu Li's To Those Who Are Not Present and a Belated Presence of Me taking Miao-Jin Qiu, Zhe-Sheng Yuan, and Guo-Jun Huang as Examples
作者:	沈詠智 SHEN, YONG-ZHI
貢獻者:	文學系高知遠 KAO, CHIH-YUAN
關鍵詞:	原型;李璐;邱妙津;袁哲生;黃國峻 Archetypal;Lu Li;Miao-Jin Qiu;Zhe-Sheng Yuan;Guo-Jun Huang
日期:	2023
上傳時間:	2023-11-09 11:39:04 (UTC+8)
摘要:	本論文以「李璐《致不在場的他們與遲到的我》之表現原型——以邱妙津、袁哲生、黃國峻為例」作為論題，欲解析李璐《致不在場的他們與遲到的我》中的表現原型，由於此書基於對臺灣內向世代代表作家，邱妙津、袁哲生及黃國峻三人作品之借鑑，故本研究亦納入三位作家之表現原型作為參照，藉此使研究更為縝密。　　文中「原型」的概念源於諾思羅普．弗萊（Northrop Frye）之「原型批評」，但弗萊提到的原型太過寬泛，故本文將原型重新定義，是以本文之「原型」意指作者不變的寫作模式，即為作者之敘事功能中，存在固定之主題性或組織原則。　　本文以三位作家對於李璐《致不在場的他們與遲到的我》之影響為主要依據，故以作者為分水嶺，下分為三個部分進行討論。第二章解碼邱妙津小說之原型，將其分為「創傷書寫」及「性別多面向意識」。第三章將袁哲生小說之原型劃分成「失去自我的寂寞」、「不被理解的寂寞」、「無人陪伴的寂寞」。第四章則是解析黃國峻小說原型中，「物化女性展現」、「社會議題反諷」及「探索愛情」之相關呈現。　　透過上述討論並分別剖析如何影響《致不在場的他們與遲到的我》，是否有再現三人之原型。期望藉由表現原型的探討，進一步使李璐《致不在場的他們與遲到的我》之相應探究更為完善，同時讓邱妙津、袁哲生、黃國峻三者之相關研究更為完整。　　This master’s thesis tries to delve into “Some Archetypal Styles Expressed in Lu Li’s To Those Who Are Not Present and a Belated Presence of Me taking Miao-Jin Qiu, Zhe-Sheng Yuan, and Guo-Jun Huang as Examples” In-depth study on Lu Li’s influence on them will also be discerned to attest to the literary magnetism of To Those Who Are Not Present and a Belated Presence of Me. Since this book focuses its literary critique on three major writers of Taiwan's Introverted Generation, Miao-Jin Qiu, Zhe-Sheng Yuan and Guo-Jun Huang, this study would also examine their novels to make the archetypal analysis more inclusive and comprehensible.　　The concept of “Archetypal Mythos” originates from Northrop Frye's “Archetypal Criticism“, in which major archetypes fall into two categories: characters and situations (symbolic). However, these mythos anatomized by Frye are too generalized, so this thesis tries to extend them into more specific templates, referring to these novelists’ unswerving patterns and foci, which predominate the internal logic in each of their narratives.　　This study would explore the influence of Lu Li’s To Those Who Are Not Present and a Belated Presence of Me on the three Introverted Generation writers. In consequence, a tripartite structure pops out in the introductory chapter to put their oeuvres into new categories. The second chapter decodes the prevailing archetypes in Miao-Jin Qiu's novels and further sub-divides them into “Trauma Writing” and ” Multi-Dimensional Gender Consciousness“. The third chapter classified the archetypal patterns in Zhe-Sheng Yuan’s novels as three major genres: “The Loneliness of Sacrificing Oneself“, “The Loneliness of Not Being Understood“, and “The Loneliness of Being Unaccompanied“. The fourth chapter analyzes the relevant presentations of “Materialized Women Expression“, “Irony of Social Issues” and “Exploration of Love” as Guo-Jun Huang's major archetypes. 　　Based on the above analysis, Lu Li’s To Those Who Are Not Present and a Belated Presence of Me exerts great influence on the Introverted Generation’s collective unconscious. It is expected that this study may correspond to the most recent successful attempts to inspect Lu Li’s insights into the archetypal mechanism, and make use of them to probe into the three novelists’ novels for further new findings.
顯示於類別:	[文學系] 博碩士論文

文件中的檔案:

檔案	描述	大小	格式	瀏覽次數
111NHU00076001-001.pdf		3545Kb	Adobe PDF	263	檢視/開啟
index.html		0Kb	HTML	336	檢視/開啟

在NHUIR中所有的資料項目都受到原著作權保護.

TAIR相關文章

資料載入中.....