指彈吉他技法之運用－以黃暐傑畢業音樂會四首曲目為例

南華大學機構典藏系統 > 藝術與設計學院 > 民族音樂學系 > 博碩士論文 > Item 987654321/29685

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题名:	指彈吉他技法之運用－以黃暐傑畢業音樂會四首曲目為例
其它题名:	The Application of Fingerstyle Guitar Techniques--Taking Four Pieces from Wei-Chieh Huang's Graduate Recital as an Example
作者:	黃暐傑 HUANG, WEI-CHIEH
貢獻者:	民族音樂學系張誦芬 CHANG, SUNG-FEN
关键词:	吉他;指彈吉他;《左岸印象》;《風之國度》 Guitar;Fingerstyle;Left Bank Impression;Land of the Wind;Berkley Springs;Drifting
日期:	2023
上传时间:	2023-11-09 13:27:49 (UTC+8)
摘要:	指彈吉他的發展，是從爵士樂等樂曲當中，曲子中間的吉他獨奏片段所衍生，從一小段旋律到後面慢慢加長，並增加許多炫技的演奏技巧，最後獨立出來發展成一首樂曲。指彈吉他在世界各地都有知名的演奏家，像是日本的伍伍慧（Satoshi Gogo）、韓國的吉他神童鄭晟河（정성하）等等，而指彈吉他在台灣的發展已經擁有十年以上的歷程，在這方面的競賽也有舉辦過，最著名的就是素有「吉他詩人」封號的董運昌老師所舉辦的Guitar Utopia，於2011年12月4日開辦第一屆的「烏托邦吉他大賽」最廣為人知，可見指彈吉他在台灣有越來越多志同道合的朋友不斷的在這個領域中發展。不過由於指彈吉他是偏向自由的演奏形式，因此並沒有相關的論文在研究指彈吉他，絕大多數都是以研究古典吉他的演奏詮釋為主，因此筆者想以指彈吉他做為研究的主題。　　此論文將挑選出筆者的音樂會當中，四首比較有特色且具代表的指彈吉他曲目《左岸印象》、《風之國度》、Berkley Springs、Drifting作為詮釋與分析的討論對象，像是《左岸印象》全曲使用了基本的技巧像是搥弦、勾弦等等，《風之國度》使用了特殊調弦以及拍泛音，Berkley Springs使用了特殊調弦呈現鄉村風格，Drifting使用了大量的敲擊技巧等等，而這四首曲子的整體特色是，都有出現彈奏上常出現的技巧，像是搥弦、勾弦、滑弦，而差異性方面，雖說四首曲子都有用到搥弦，但《左岸印象》、《風之國度》、Berkley Springs這三首曲子是用左手完成，而Drifting則是用右手完成。　　The development of “fingerstyle” derived from the guitar solo passages during Jazz and such music and then stood out as an independent performing technique. Fingerstyle guitar has well-known players all over the world, such as Japan's Wu Wuhui (Satoshi Gogo), South Korea's guitar prodigy Zheng Shenghe (정성하), etc., and the development of fingerstyle guitar in Taiwan Experienced more than ten years. The most famous one is the Guitar Utopia Competition organized by Dong Yunchang, who is known as the “Guitar Poet“. The first “Utopia Guitar Contest” was held on December 4, 2011. “The most well-known, and the fifth in 2018, it can be seen that more and more like-minded friends of fingerstyle guitar in Taiwan continue to develop in this field. However, since fingerstyle is a free form of performance, there are no relevant papers on fingerstyle, and most of them are studies on classical guitar playing. Therefore, the author wants to use fingerstyle as the research topic. 　　This thesis selects four distinctive fingerstyle guitar pieces from the author's concerts, “Left Bank Impression”, ” Land of the Wind”, “Berkley Springs”, and “Drifting” as the discussion objects for interpretation and analysis. For example, “Left Bank Impression” used basic techniques such as hammer-on and pull-offs, etc., “Land of the Wind” used special tuning and beat harmonics, and “Berkley Springs” used special tuning to present a country style. “Drifting” uses a lot of percussion techniques, etc., and the overall feature of these four pieces is that they all have common playing skills, such as hammer-on, pull-off, and slide. In terms of differences, although the four pieces all use hammer-on, the three pieces “Left Bank Impression”, “Land of the Wind” and “Berkley Springs” are done with the left hand, while “Drifting” is done with the right hand.
显示于类别:	[民族音樂學系] 博碩士論文

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