梅山舊事－許裴辰水墨創作論述

NHUIR > College of Arts and Design > Department of Visual and Media Arts > Disserations and Theses > Item 987654321/29863

Please use this identifier to cite or link to this item: http://nhuir.nhu.edu.tw/handle/987654321/29863

Title:	梅山舊事－許裴辰水墨創作論述
Other Titles:	The Vintage Story of Meishan: Discourse on the Chinese Painting by Pei-Chen Hsu
Authors:	許裴辰 HSU, PEI-CHEN
Contributors:	視覺藝術與設計學系葉宗和 YEH, TZONG-HO
Keywords:	記憶;懷舊;地方文化;水墨;梅山 nostalgia;local culture;Chinese Painting;Meishan;memory
Date:	2023
Issue Date:	2023-11-15 11:40:47 (UTC+8)
Abstract:	家鄉在每個人心中的樣子都不同，或許是從小到大生長的地方，或是最符合自己內心生活所在。這些存在於內心記憶的場域，即使因工作或求學而遠離，也會想要回歸或重溫過去的經歷。這種自我返回記憶場域，已成為一種自我實現與滿足的方式，且凝縮成藝術創作的視覺對象。　　本研究以嘉義梅山作為水墨藝術創作研究的主要對象，研究過程中透過文獻分析法、實地觀察法、圖像學研究法及行動研究法，親身前往當地蒐集或探訪，從故鄉的空間、懷舊與記憶論述，廣泛去收集專屬於梅山文化且具豐富意象的資料與圖像。進而探討地方建設新事物的同時，是否能與在地文化順利融入，或是許多令人回味的特色，因此被同化而消失。為了記錄下現有還未消失的事物，在創作的這段時間，看到許多事物，或因店家認為東西老舊；或是老闆年紀大退休……等，一件件被換掉，因此現在紀錄這些事物是刻不容緩的。　　利用水墨藝術創作來大膽的結合「蒙太奇」手法，重新演繹那份濃濃的人情味與在地滋味，以新的視角來記錄與拼湊原有的特色文化，重新詮釋出對梅山記憶及印象，不僅可讓在地人對於這塊土地更有認同感，也讓外地人透過這些事物來更加認識梅山。　　Hometown looks different in everyone's heart. It may be the place where you grew up from childhood to adulthood, or it may be the place that best suits your inner life. These fields that exist in the inner memory, even if they are far away due to work or study, they will want to return or relive past experiences. This self-return to the memory field has become a way of self-realization and satisfaction, and condensed into the visual object of artistic creation.　　This study takes Chiayi Meishan as the main object of research on Chinese Painting. The research process runs through the methods of document analysis, field observation, iconography research and action research. Discussion on nostalgia and memory, extensive collection of materials and images specialized in Meishan and its culture with rich imagery. Assimilate and disappear. In order to record the existing and disappearing things, during the period of creation, I saw many things, or because the shopkeeper thought the things were old; or old people... etc., one thing was replaced, So logging these things now is something that cannot be ignored.　　Using Chinese Painting to boldly combine the “montage” technique, reinterpret the strong human touch and local taste, record and piece together the original characteristic culture from a new perspective, and reinterpret the memory and impression of Meishan, not only It can make local people have a more sense of identity with this land, and also let outsiders know Meishan better through these things.
Appears in Collections:	[Department of Visual and Media Arts] Disserations and Theses

Files in This Item:

File	Description	Size	Format
111NHU00616003-001.pdf		19237Kb	Adobe PDF	104	View/Open
index.html		0Kb	HTML	189	View/Open

Loading...