送給多元性別者的情歌：台灣流行音樂的多元性別呈現

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Title:	送給多元性別者的情歌：台灣流行音樂的多元性別呈現
Other Titles:	Love Songs for LGBTQ: The LGBTQ Present of Taiwanese Popular Music
Authors:	謝佩芸 HSIEH, PEI-YUN
Contributors:	應用社會學系社會工作與社會設計碩士班張楓明 CHANG, FENG-MING
Keywords:	同志;多元性別者;性別平權;流行歌曲;文本分析 LGBTQ;sexual and gender diversity;gender equality;popular music;textual analysis
Date:	2023
Issue Date:	2023-11-16 15:46:24 (UTC+8)
Abstract:	流行歌曲是大眾通俗(庶民)文化，反映民眾的當代生活型態與所思所想，也是青少年次文化中重要的一環，對年輕人的影響不可小覷。自2003年台灣同志運動開始之際，台灣流行音樂亦開始關注多元性別議題，以歌曲探討社會議題，成為新型態的創作模式，在歌詞撰寫、MV敘事中展現觀點與立場，如蔡依林於2019年出品歌曲《玫瑰少年》，取材於2000年「葉永鋕事件」，喚起民眾遺失已久的記憶碎片，重新認識「葉永鋕」、重新看見「多元性別族群」。　　尤其在台灣多元性別運動的發展歷程，可見伴隨著各時期出品的相關音樂，這些歌曲反映出多元性別者在不同社會價值體系的處境，並與多元性別運動相互扣環，成為一種為多元性別者向社會傾訴的聲音，而流行歌曲（歌詞、MV）的表現也隨著文化變遷而有所差異，如歌詞的表達方式從早期隱晦的陳述心境到後期直接表白支持的內容、或MV從不拍攝任何與多元性別相關的劇情內容到後期加入多元性別者的角色與代表性符號等，隨著社會對多元性別議題的討論升高後，歌曲的表現方法也逐漸多元。　　此外，歌曲藉由被閱聽眾點閱、觀看和聆聽的過程中，將價值信念與訊息傳遞出去，透過歌詞與MV等內容將多元性別者的生命經歷與情緒感受重新塑造，使閱聽眾從中認識多元性別者的處境外，也使多元性別者從中獲得經驗的再現，使其能夠從中產生共鳴與慰藉感受，而這整個過程即是閱聽眾與歌曲兩者間的互動模式，藉由歌曲傳遞訊息，使閱聽眾接受並感受訊息帶來的經驗，將經驗再現產生共鳴，或是透過經驗獲得新的認知。　　Pop music are popular (common people) culture, reflecting the contemporary life style and thoughts of the people, and are also an important part of the youth subculture, and their influence on gender diversity people should not be underestimated.　　Since the beginning of the gay movement in Taiwan in 2003, Taiwanese pop music has also begun to explore the social issues related to gender through music, becoming a new mode of creation, showing views and positions in lyrics writing and MV narrative, such as Jolin Tsai's 2019 song “Rose Boy”, based on the 2000 “Ye Yong Chuan Incident”, evoking the long-lost memory fragments of the public, re-understanding “Ye Yong Chuan” and re-seeing the “multi-gender community”.　　Especially in the development process of Taiwan's gender diversity movement, it can be seen that the related music produced in various periods reflects the situation of gender-diverse individuals in different social value systems, and is interlinked with the gender diversity movement, becoming a voice for people of diverse genders to communicate with society. The performance of popular music (lyrics, MV) also varies with cultural changes, for example, the expression of lyrics ranges from the early obscure statement of mood to the content of direct confession support in the later stage, or the MV never shoots any plot content related to gender diversity to the later addition of the roles and representative symbols of gender diversification, etc., as the discussion of gender issues in society increases, the expression methods of music are gradually diversified.　　Moreover, the music transmits the value belief and message through the process of reading, watching, and listening to the audience, and reshapes the life experience and emotional feelings of gender diversity through the lyrics and MV, so that the audience can understand the situation of the gender diversity person, and also enable the gender person to get experience from it, so that it can resonate and comfort from it, and this whole process is the interaction mode between the audience and the music, by conveying the message through music, the audience can accept and feel the experience brought by the message, resonate with the experience, or gain new insights from the experience.
Appears in Collections:	[Department of Applied Sociology, The M.A. Program of Sociology] Disserations and Theses(M.A. Program of Social Work and Social Design)

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