《而蓭詩話》中創作主體之理論內涵及其發用

NHUIR > The Journals of Nanhua University > Literature in a new key > Item 987654321/29906

Please use this identifier to cite or link to this item: http://nhuir.nhu.edu.tw/handle/987654321/29906

Title:	《而蓭詩話》中創作主體之理論內涵及其發用
Other Titles:	The Theoretical Connotation and Application of the Creation Subject in “Er Ruo Shi Hua”
Authors:	高知遠 Kao, Chih-Yuan
Contributors:	南華大學文學系 Department of Literature, Nan-hua University
Keywords:	清詩話;徐增;而蓭詩話;創作主體 Talking about Qing Poetry;Xu Zeng;Erxuan's Talking about Poetry;Creation Subject
Date:	2023-06-01
Issue Date:	2024-09-24 15:35:14 (UTC+8)
Publisher:	南華大學文學系
Abstract:	本文以「《而蓭詩話》中創作主體之理論內涵及其發用」為題，透過認知、性情與實踐三層，解釋《而蓭詩話》中之創作主體如何養成、發揚，進而落實為具有創造性之語言表現。進而發現，徐增在《而蓭詩話》中對於創作主體之建構，無疑是將傳統詩法視為原則，試圖綜合天份與個性判斷，自然而然，且無跡可求的展現出既符合外在形式規約，又超越傳統寫作模式的超級創作者。 This article is titled “Theoretical connotation and application of the creative subject in ‘Er Ruo Shi Hua’”. Through the three levels of cognition, disposition and practice, it explains how the creative subject in “Er Ruo Shi Hua” is cultivated, developed, and then implemented into a Creative language expression. It was further discovered that Xu Zeng’s construction of the subject of creation in “Er Ruo Shi Hua” undoubtedly regarded the traditional poetic method as a principle, and tried to synthesize talent and personality judgments. A super creator who is formally regulated and surpasses the traditional writing mode.
Relation:	文學新鑰 37期
Appears in Collections:	[The Journals of Nanhua University ] Literature in a new key [Department of Literature]

Files in This Item:

File	Description	Size	Format
4023003707.pdf		2623Kb	Adobe PDF	57	View/Open
index.html		0Kb	HTML	74	View/Open

Loading...