| 摘要: | 近年來，台灣文學逐漸受到學者、研究者的青睞，研究流向從以往專注於傳統中國文學的走向漸至著重於現實生活的世界。這股著重台灣新文學及台灣作家的作品風潮，漸受重視，學者爭相研究台灣文學這個領域。區域文學的史料，將來勢必成為台灣文學史的資料庫；台灣各地的區域文學勢必也會成為重要的資料。台灣新文學的創作始於新詩，雲林地區新詩的發展是如何一番景象，更值得身為雲林子弟的我去探究。 本論文運用文獻分析法、歷史研究法及田野調查法，進行研究。台灣新詩從1920年代出發，一路顛簸前進，詩刊詩社相繼創立，詩人也相繼出現。本文先蒐集日治時期 （戰前1923--）、戰後（1945年）至今台灣新詩的相關著作，整理出台灣新詩的發展脈絡，梳理出雲林新詩的樣貌。接著介紹二十八位雲林新詩作家（蔡秋桐、嚴保江、陳嘉欣、戴宗良、黎明、宋澤萊、綠蒂、楊顯榮、李豐楙、林豐明、詹瑞麟、林雙不、吳輝政、王廷俊、沈花末、楊子澗、吳長耀、張雪映、詹義農、林沉默、陳建宇、賴益成、曾美玲、張信吉、李宗倫、林金陽、吳龍杉、王隆升）之生平背景、詩集、相關詩作，歸納出雲林新詩作家的貢獻與成就。 新詩的創作是一種以語言文字作為媒介的藝術作品。詩人必須具有豐沛富盛的詩感，並把這種感覺迅速地、敏捷地加以捕捉，並轉化為生動的形象系統，再將此形象系統運用精美的語言準確地表達、呈現出來。本文另一個重點，則透過研讀分析二十八位雲林新詩作家之詩作，歸納整理以呈現雲林地區新詩的四大主題展向（歌頌人間情愛之詩、關懷社會人文之詩、充滿鄉土情懷之詩、感懷生命自由之詩）與創作特色（風格特色與語言表現）。 本論文的寫作精神：一則在發現雲林作家對新詩的成就與貢獻，一則是整理彰顯雲林作家新詩的主題展向與創作特色。期許此發現與整理可供後續研究者作一參考，也為台灣區域文學盡些許微薄之力。
In recent years, Taiwan literature gains more and more attention and interests from the scholars and researchers. The focuses of the studies switch from traditional Chinese literature to the world of Taiwanese’s real lives. The force of putting stress on Taiwan modern literature and Taiwan local writers are valued by the society, thus more and more researchers put efforts into the study of Taiwan literature. Hence, the historical data of the district literature will certainly contribute to the database of Taiwan Literature. The creation of Taiwan modern literature was unveiled by new poetry. To understand how and in what way the new poetry was developed in Yunlin County were the purposes of this study. This study utilized documents, content analysis and historical research to conduct the study. The development of Taiwan new poetry can be traced back to 1920, at the time which magazines of poetry, poetry clubs and poets appeared one after another. In this study, related works of Taiwan new poetry during Japanese colonial rule, after World War II until nowadays were collected first so as to analyze the development of Taiwan new poetry and to unveil the appearance of Yunlin new poetry. The biography background of Yunlin new poetry writers, their collections of poetries, related poetries were introduced and analyzed so as to understand their contribution and achievement towards Taiwan new poetry. The 28 Yunlin new poetry writers are: Ch’iu-t’ung Tasi, Pao-chiang Yen, Chia-hsin Chen, Tsung-liang, Tai, Ming Li, Tse-lai Sung, Ti Lu, Hsien-jung Yang, Feng-mao Li, Feng-ming Lin, Jui-lin Chan, Shuang-pu, Lin, Hui-cheng, Wu, T’ing-chun, Wang, Hua-fo Shen, Tsu-chien Yang, Ch’ang-yao Wu, Hsueh-ying Chang, Yi-nung Chan, Ch’en-mo Lin, Chien-yu Chen, Yi-ch’eng Lai, Mei-ling Tseng, Hsin-chi Chang, Tsung-lun Li, Chin-yang, Lin, Lung-shan Wu and Lung-sheng Wang. The creation of new poetry is an art work which uses writing language as a medium. The poets must have plentiful feelings, having the ability to capture and transfer their feelings into vivid image system and then illustrate and present the image by the use of elegant languages. Four topics were classifies through the analysis of the 28 Yunlin new poetry writers’ works. They are: (1) praising the love of people poetry, (2) caring for social humanities poetry, (3) love for country, and (4) love for freedom. Furthermore, the 28 Yunlin new poetry writers’ writing language performance and their distinguishing writing features were also discussed in this study. The writing spirits of this study were (1) to discover the achievement and contribution of Yunlin writers towards Taiwan new poetry and (2) to analyze and manifest the characteristics of Yunlin new poetry writers. It is hoped that this study will enrich the database of Yunlin literature as well as Taiwan district literature. |
