任何宗教信仰的產生與發展,深受自然、歷史、文化等因素的影響,反映出人類和自然環境間的適應與文化的傳承,因宗教信仰與人類生活具密不可分的關係,國內以佛教藝術題材的相關論文也陸續形成。 本研究旨在探討大悲咒中的八十八尊法相的圖像造形,以佛教圖像學為依據,將八十八尊法相有系統地加以分類為佛部類別共有七尊、觀音部類別共有十五尊、菩薩部類別共有二十五尊、明王部類別共有三尊、天部類別共有二十四尊、羅漢部類別共有十一尊。再者,將抽樣選取出佛部類群的阿彌佗佛相、觀音部類群的白衣觀世音菩薩相、菩薩部類群的地藏菩薩相、明王部類群的軍吒唎菩薩相、天部類群的四大天王相與羅漢部類群的阿難尊者相為研究對象,以索緒爾記號的組成作分析與探討。最後,將此六尊法相做問卷調查,藉以了解群眾對法相的感覺認知。 經由統計分析,發現群眾對於大悲咒法相造形意象感覺分析,以吉祥的、福德的、尊貴的與驅惡的形容詞語意,最能代表大悲咒法相造形意象之感覺。研究結果發現,不同年齡層的受測者對法相在感覺認知是有差異的,雖然擁有相同意象,但是感覺程度並不相同。至於從受測者的性別做區分,對法相在感覺認知的差異顯著性並不明顯。 The generation and development of any faiths which are deeply affect the natural, historical, cultural and other factors. It can reflect to the human adopt the nature environment and the cultural inheritance. Because the relationship of the faith and human life is inseparable, there are many Buddhism art themes that have been present. This research is discussing the modeling of eighty-eight Buddhist statues. It based on the Buddhist statues classification which is classified these eighty-eight statues systematically to seven Buddhist statues, fifteen Guanyin statues, twenty five Bodhisattva statues, three Ming Wang styles, twenty four Tian styles, and eleven Luo Han styles. Furthermore, we sample the Buddhist statues.Besides, Guanyin statues, Bodhisattva statues, Si Da Tian Wang statues and A Nan Zun Zhe statues as our object of this study and use the composition of F.Saussure to analyze and discuss. It utilize questionnaires survey for these six Buddhist statues that can understand the feeling of the public. By statistical and analysis, it can find the publics' feeling such as auspicious and honorable to present the Da Bei Zhous' Buddhist statues. As the result of this study is found that the testers of different age levels feel to the Buddhist statues are difference in cognition. Although their meanings are the same, but their feeling are not. Distinguishing sex from testers, the feel of cognitive difference is not obvious for the statues.