| 摘要: | 就藝術的保存而言，前人的技術與經驗始終無法抵擋時間流逝的考驗，大部分的藝術創作和智慧結晶總如歲月般凋零，遺留給後人的總是少的令人惋惜。誠然，隨著網際網路的快速發展，數位博物館如雨後春筍紛紛建立，國科會亦成立了數位典藏國家型科技計畫，但光靠少部分專業人士力量來建立數位博物館效率不佳，較難達到普及教育的目的。 因此，本研究目的旨在探討藝術品數位化典藏的重要性，並試圖以雕塑家謝棟樑的作品為例，建立一個數位化典藏系統模式，使得藝術家能對於自身作品進行數位化典藏。且此系統簡單易用，只要能上網之處，即能隨時隨地從網路後台更新前台網站的內容。所以除了幫助藝術家典藏、分類和傳播作品理念，還能對未來的研究提供考據，並提供大眾一個欣賞藝術的環境。 第一章說明研究背景、動機和目的，以及研究方法、範圍限制等論文架構。第二章說明數位化典藏的意義定位、效益影響、國內外發展現況，以及和實體博物館之間的取代抑或互補的微妙關係，以探討數位化典藏的重要性和限制、缺失。第三章則是數位化典藏系統發展，藉由瞭解藝術家、內容規劃，以進行系統改編設計。第四章為系統的測試與評估，以專家評估法和使用者測量法為進行方式，並經由評估結果整理分析之後得到改進建議，以提升數位化典藏系統的完整性。 最後，於第五章提出三個向度結論，依據藝術資產保存的重要性、藝術數位化的重要性，以及藝術傳播的重要性三者，提出未來發展建議。
As for the reservation of art, predecessors’ techniques and experiences all along cannot withstand the trial of the passing time. Most artistic creation and intellectual property always wither away with years. What they left behind for the posterity is often lamentably few. It’s true that with the rapid developing of the Internet, many digital museums mushroom one after another; National Science Council also founded National Digital Archives Program but if we only depend on the power of few professionals to establish digital museum, the efficiency will be limited and hard to reach the goal of popularizing education. Therefore, this research is to explore the significance of digitalizing art works’ reservation, and try to take works of sculptor: Hsieh Tong-Liang for example, setting up a model of digital reservation system for artists to digitally reserve their own works. Moreover, this system is easy to operate. Wherever Internet is provided, people can at any time or place renew the website contents of the proscenium from the backstage. Consequently, besides helping artists reserve, categorize, and give about the ideas of their works, the system can also supply textual research for the future researches and provide the masses an environment to enjoy and to admire art. The first chapter explains the research’s background, motivation, purposes, research methods, and limitations. To probe into the weightiness of digital reservation, the second chapter explains the meaning, impacts, and universal developments of digital reservation, and also the trickily substitute or complementary relationship between digital museum and concrete museum. As for the third chapter, it is about the evolution of the digital reservation system. Via understanding artists and schemes of the contents we can design the system. The forth chapter is on the tests and evaluations of the system. It adopts〝expert’s evaluation method〞and〝user’s measure method〞，and gets suggestions by analyzing the evaluating results to improve the integrity of the digital reservation system. In the end, the fifth chapter brings up conclusions of three dimensions, and provides the suggestions for future growth, according to the significance of reserving artistic property, digitalizing art, and popularizing art. |
