南華大學機構典藏系統:Item 987654321/25868
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    題名: 靜躍生命－李秀珠水墨創作論述
    其他題名: The Life of Peace in Jumping-Interpretation of the Ink Painting Creation by Lee, Shiu-Chu
    作者: 李秀珠
    LEE, SHIU-CHU
    貢獻者: 視覺與媒體藝術學系
    葉宗和
    YEH, TZONG-HO
    關鍵詞: 生命力;自然;當代水墨
    vitality;nature;contemporary ink painting
    日期: 2017
    上傳時間: 2017-12-08 14:56:51 (UTC+8)
    摘要: 　　中國水墨畫一般認為受老莊哲學思想影響最大，老子的道法自然，是以道為美，而道的屬性和範疇就是自然；莊子的思想認為，天地萬物都是自然的賦形與生成，自然是一種至美，無所謂優劣，也無所謂美醜。大自然中有許多微小的生命在角落中對抗逆境，默默的、勇敢的挺立著，見證生命力的偉大。老子說「凡有起於虛，動起於靜」，靜與動並非絕對的兩極對立，也沒有絕對的動和絕對的靜，動中會有靜，靜中也會有動，也可能是動與靜的交互循環，在個人的創作時，即是以靜默中的生命躍動作為創作的理念，並與旺盛的生命力相為呼應。　　概括當代生活、意識、媒介、藝術形式及觀念，屬於台灣特有風格的當代水墨畫，已脫離中國傳統水墨畫的範疇，並延伸開創更多特殊技法，讓水墨畫的表現手法更為多變及有趣，大大改變ㄧ般人對水墨畫的呆板印象。　　本研究共分為「逆境」、「無擇」、「耕農」及「逢春」四個系列，以自己實際耕作的菜園、山間所見的枯木、路旁發現的小草等作為創作的元素，透過構圖及水與墨的交融，敘述不為人知的生命故事，呼應了老莊的自然美學，而在看似靜止或靜謐的角落，其實蘊藏無限的生機，萬物躍動。也期待自己能夠以本次的創作為起點，開啟未來更豐富的學習及創作。
    　　It has been long believe that the Chinese ink painting has been mostly influenced by Laozi's and Zhuanzi's philosophy. The statement that the way of the Tao is the being what it is claim that Tao is beauty. The essence of Tao is nature. Zhuanzi believes that the growth and shape of all the beings are the way of nature. Nature is a sheer beauty. Nature does not distinguish between good and bad things, and between beauty and ugliness. There are so many infinitesimal lives in every corner of the world who stand bravely facing adversity and witnessing the greatness of life.　　According to Laozi, being originates from vacuity and motion originates from stillness. Stillness and motion do not stand at the opposite end of the spectrum. There is no absolute stillness and no sbsolute motion. Motion is embedded in stillness and the other way around. They can further interact with each other. My creative inspiration is deeply rooted in the vigor of life embedded in stillness, also echoing with the great strength of life.　　Various elements such as life style, consciousness, culture medium, and art evolution have hence been incorporated into the ink painting of Taiwan, which has thus developed a particular style for contemporary Taiwanese ink painting with more unique painting skills diverse inputs, thus making the ink painting more vivid and attractive.　　This study consists of four sequences: adversity, non-choice, farming, and spring. Inputs of these works are taken from farm vegetables, withered twigs found in the woods. And even grass on the country road. Through careful composition and the use of water and ink, these works try to tell true stories of life. They also echo Natural Aesthetics of Laozi's and Zhuanzi's philosophy in that inside stillness lies the vitality of life. With this study, I take these four sequences as a starting point, hopefully, for further creative works in the future.
    顯示於類別:[視覺藝術與設計學系] 博碩士論文

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