二胡聲腔詮釋手法分析—以《洪湖主題隨想曲》為例

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Title:	二胡聲腔詮釋手法分析—以《洪湖主題隨想曲》為例
Other Titles:	The Analysis of Interpretation of Sound and Tone on Erhu--A Case Study of Honghu Capriccio
Authors:	陳逸閎 CHEN, YI-HONG
Contributors:	民族音樂學系明立國 MING, LI-KUO
Keywords:	二胡;器樂聲腔化;聲腔演奏手法 Erhu;Instrumental vocalization;Method of imitate voice intonation
Date:	2019
Issue Date:	2022-04-29 14:40:51 (UTC+8)
Abstract:	本詮釋報告主要藉由二胡曲《洪湖主題隨想》來做為分析的內容，運用《閔惠芬與香港中樂團—洪湖主題隨想》光碟及《二胡高傳真》光碟和筆者演奏，來比對《洪湖赤衛隊》光碟裡「看天下勞苦人民都解放」這首曲子的演唱，以歸納二胡演奏上利用滑音、揉弦等技巧，探討二胡聲腔化的詮釋與表現手法。　　本篇報告分可為三個部份，第一部份是對於過去所做的相關文獻進行探討，並陳述此一研究的動機及目的。第二部份針對《洪湖主題隨想曲》進行「二胡器樂聲腔化」的演奏手法分析。第三部份則為本篇的結論。　　This interpretation report mainly uses the erhu song ＂Honghu Capriccio＂ as the analysis content, using ＂Min Huifen and Hong Kong Chinese Orchestra---Honghu Capriccio＂ CD and ＂Erhu High Quality＂ CD and my performance to compare the song of ＂Look at the Liberation of the Working People＂ at ＂Hong Lake Red Guards＂ CD. To summarized the erhu's vocalization interpretation and performance techniques by using techniques such as glide and string rubbing.　　There are three parts in this interpretational report: the first part focuses on literature review, motive and purpose in research; the second part is the analysis of fingerings in playing by erhu, and the third part is the conclusion.
Appears in Collections:	[Graduate Institute and Department of Ethnomusicology] Disserations and Theses

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