所謂「陶瓷彩繪」在傳統中國陶瓷中是指在土坯或已經燒成的瓷器釉面上用彩料進行彩繪裝飾，又稱為「彩瓷」或「彩繪瓷」，陶瓷彩繪在傳統陶瓷工藝佔有重要地位。 本研究以陶瓷彩繪技巧之表現為切入點，探討釉中彩效果的影響因素與施繪技法。陶瓷彩繪大致上可分為：釉上彩、釉中彩、釉下彩。釉中彩是在坯體先上底釉再施繪金屬氧化物呈色劑或色料於表面，通過1100~1260℃高溫燒製，使顏料或氧化物滲入釉內，達到抗腐蝕、耐磨損的效果。 本研究的方法包括類型分析、實驗分析及文獻分析，經過歸納後，發現影響彩繪效果的成因與底釉成分影響重大。本研究以幾種基礎配方為基礎，經過三角座標釉藥實驗，尋求出最適合的釉中彩底釉配方，分別於其上施以各種彩繪技法，並審視其燒製效果，提供陶藝創作者更多元的陶瓷彩繪可能性，及提升釉中彩繪製的技巧。 The so-called ＂ ceramic painting ＂ in traditional Chinese ceramics refers to the use of coloring materials for decoration on greenware or glazed porcelain glaze, also known as＂ colored porcelain ＂ or ＂ painted porcelain ＂. Ceramic painting is very important in traditional ceramic technology. This study takes the ceramic painting techniques as an entry point and discusses the influencing factors of the coloring effect of the in-glaze decoration, as well as the painting techniques. The techniques of ceramic painting can be roughly divided into over-glaze decoration, in-glaze decoration, and under-glaze decoration. In in-glaze decoration, the glaze is applied on the surface of the green or bisqued body first, and then the color stain of metal oxide or pigment is painted on the surface. The glaze is fired at a high temperature of 1100~1260℃ to make the metal oxide or pigment penetrate the glaze to achieve the effect of corrosion resistance and wear resistance. The methods of this study include type analysis, experimental analysis, and literature analysis. This study found that the most critical factor that affects the painting effect is the formula of the base glaze. This research uses several glaze formulas as the bases, followed by a triangle coordinate glaze experiment to find the most suitable glazes for in-glaze decoration. Through this research, I found several suitable formulas as base glazes for in-glaze decoration to provide ceramic creators with more diverse ceramic painting materials and effects, and also help them master the skill of painting in-glaze decoration.
