近年來中外合拍片在中國巨額電影票房市場上找到共同利基，但是在合拍片裡隱藏了雙方的意識形態價值爭霸。本論文以中印合拍片《功夫瑜伽》為研究對象，首先，本文探討《功夫瑜伽》是用何種電影敘事模式，去呈現印度元素及國家形象；其次，本文論證《功夫瑜伽》再現了哪些印度元素及國家形象；最後，這部依託於「一帶一路」文化政策下的中印合拍片《功夫瑜伽》，是否有達到促進中印文化交流，讓中國電影成功走出去？ In recent years, Chinese and foreign co-productions have found a common base in China's huge box office , but ideology contention was hidden between both sides of co-productions.First, this article explores what kind of film narrative mode is used in ＂Kung Fu Yoga＂ to present Indian elements and national image; second, this article demonstrates which Indian elements and national image are reproduced in ＂Kung Fu Yoga＂; finally,does this Chinese-Indian co-production ＂Kung Fu Yoga＂ relying on the ＂, Belt and Road Initiative＂ cultural policy achieve the promotion of Sino-Indian cultural exchanges and allow Chinese movies to successfully go out?
