《融合塔羅組曲》作品分析—在命運中和「塔羅占卜與愔聲」邂逅

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Title:	《融合塔羅組曲》作品分析—在命運中和「塔羅占卜與愔聲」邂逅
Other Titles:	Analysis of the Musical Composition “ Shuffle Tarot Suite ”--An Encounter with “ Tarot Divination and Heart-Sound Music ”
Authors:	劉仁照 LIU, REN-JHAO
Contributors:	民族音樂學系盧長劍;黃乾育 HOLLOWAY, GEORGE PAUL;HUANG, CHIEN-YU
Keywords:	塔羅占卜與愔聲;融合塔羅組曲;塔羅組曲;塔羅牌;機率音樂;共時性與音樂創作 Tarot Divination and Heart-Sound Music;Shuffle Tarot Suite;Tarot Suites;Tarot Decks;Chance Music;Synchronicity and Composition
Date:	2022
Issue Date:	2022-08-30 14:58:12 (UTC+8)
Abstract:	本篇文章討論筆者如何結合「塔羅占卜」與「機率音樂」的概念來創作《融合塔羅組曲》與《塔羅組曲》。而此篇論文的內容包含五個章節：「第一章緒論、第二章文獻回顧、第三章《融合塔羅組曲》之創作理念及學習經驗、第四章《融合塔羅組曲》之創作素材與分析、第五章結論」。　　第一章則講述筆者的「創作源起與動機」、「目的與問題」、「範圍與限制」、「方法與分析」以及「音樂會計畫書」。第二章則是簡略地介紹與「塔羅相關研究」與「機率音樂相關研究」。第三章為「創作理念及學習經驗」，包含「塔羅占卜流程與個人占卜」、「影像配樂的學習經驗」、「塔羅占卜」與「機率音樂之共時性」、「音樂學習之經驗回顧」。第四章則是「創作素材與分析」，分成「塔羅圖像牌義與愔聲素材之聯想」、「樂曲分析與象徵意涵」、「範例與應用方式」以及「小結」。第五章則是「音樂會問題檢討」、「未來創作之期許」與「結語」。　　最後，筆者期望自己可以透過塔羅占卜與機率音樂的創作概念，呈現多元的作品，並尋求創作的出口，為塔羅、音樂及聲音等領域，持續嘗試結合不同的創作方式與思考概念，也是筆者的求學過程與紀錄，期望分享階段性的學習成果與紀錄。　　This thesis discusses the combination of the concepts of “tarot divination” and “chance music” in the composition of the pieces Shuffle Tarot Suite and Tarot Suites. The content of this thesis consists of five chapters: “Chapter 1 Introduction, Chapter 2 Literature Review, Chapter 3 Creation Concept and Learning Experience of “Shuffle Tarot Suite.”, Chapter 4 Creation of “Shuffle Tarot Suite.” of Materials and Analysis, Chapter 5 Conclusions.”　　The first chapter describes the author's “original creative motivation, research purpose and research questions, field and limitation, methods and analysis, and concert proposal.” The second chapter briefly introduces the researches related to “Tarot and Chance Music.” The third chapter is the creative concept and review of the author's learning experience, including “Tarot divination process and personal divination”, “Reflections based on study of incidental film music”, “Synchronicity between Tarot divination and chance music”, and “Review of the author's experience of music study”. The fourth chapter is the creation of materials and analysis, which is divided into “Association between the meaning of the Tarot Decks and the creation of materials, as well as the analysis of the music and its symbolic meaning, examples and application methods, and a summary.” The fifth chapter is “Review of Concert Issues, Creation Expectations and Conclusions in Future.”　　Finally, I hope that I can present a variety of works through the creative concepts of Tarot divination and Chance music, and seek an outlet for creation. For the fields of tarot, music and sound, I will continue to try to combine different creative methods and thoughts. I wish to share the achievement in this period about learning results and records with others.
Appears in Collections:	[Graduate Institute and Department of Ethnomusicology] Disserations and Theses

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